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The years during and after the Great War saw an explosion in arts organisations attempting ‘to bring the Arts into everyday life’.1 This essay argues that arts organisations should be seen alongside institutions like bookshops, magazines and galleries as key mediating institutions between modernist artists and writers and the general public. Using the Arts League of Service as a case study, I explore whether it was possible for such organisations to be experimental, educational and popular. To what extent could they reconcile their democratic principles with their belief in the transformative power of experimental modern art, design, literature and performance?
Modernist Cultures – Edinburgh University Press
Published: May 1, 2020
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