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/lp/edinburgh-university-press/under-suspicion-christine-brooke-rose-intelligence-work-and-the-theory-cyNfgVL7RV
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- Publisher
- Edinburgh University Press
- Copyright
- Copyright © Edinburgh University Press
- ISSN
- 2041-1022
- eISSN
- 1753-8629
- DOI
- 10.3366/mod.2021.0350
- Publisher site
- See Article on Publisher Site
Abstract
This article looks at Christine Brooke-Rose's late work of life-writing, Remake (1996) and its depiction of Brooke-Rose's wartime experience working in the Allied code-breaking centre at Bletchley Park. I situate Remake's recall of Bletchley Park within a textual matrix that includes Brooke-Rose's own academic writing of the 1980s–90s, as well as texts that emerged out of the so-called ‘Theory Wars’ of the same period – especially relating to the revelation of Paul de Man's collaborationist journalism. In this range of writing, I trace a set of common concerns regarding personal history, suspicion, secrecy, disclosure, and mastery that herald a turn towards other forms of knowing. In doing so, I locate Remake at a crucial juncture in the emergence of our present post-critical moment.
Journal
Modernist Cultures – Edinburgh University Press
Published: Nov 1, 2021