Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
<jats:p> Alan Dale accounts for the spiritual dimensions of Waugh's satire in the early, ultra-modern novels, “Vile Bodies” (1930) and “A Handful of Dust” (1934). Behind Waugh's façade of hyper-drollery, Dale suggests, are the convictions of a spiritual absolutist whose comic fury is all the more intense because the position of religious faith from which it issues remains unveiled. Placing Waugh's novels in the decidedly non-modern ambit of medieval Catholic satire, Dale argues that the modernity of Waugh's novels inheres in their post-consensus context, in which a stable theological ground can no longer be taken for granted. </jats:p>
Modernist Cultures – Edinburgh University Press
Published: Oct 1, 2006
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.