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(1976)
, “ Photography ” , trans . Thomas Y
15 : 1917 . The February Revolution . From the series The History of the All - Russian Communist Party ( Bolshevik ) in Posters ( 1926 )
Faire face , faire signe . La photographie , sa part d ’ histoire ” in Jean - Paul Ameline
Sherwin Simmons (1999)
Advertising Seizes Control of Life: Berlin Dada and the Power of AdvertisingOxford Art Journal, 22
S. Tret'iakov (2006)
From the Photo-Series to Extended Photo-ObservationOctober
, “ Metamorphoses of the Image . Photo - graphics and the Alienation of Meaning ” , in Michel Frizot
<jats:p> The practice of history and the technique of montage seem to have met at some point of their development to forge a new way of thinking about the past. This new paradigm crystallized around the period between the First and the Second World War, when the proliferation of montage techniques in visual arts and film was accompanied by a broad theoretical discussion on the relevance of the new procedure in arranging and organizing photographic ‘facts’. </jats:p>
Modernist Cultures – Edinburgh University Press
Published: May 1, 2008
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