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Paris and its Doubles: Deleuze/Rivette

Paris and its Doubles: Deleuze/Rivette <jats:p> This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze's Cinema 2: The Time-Image. In particular it explores the concepts of ‘the powers of the false’ and ‘fabulation’ as ways of engaging with Rivette's cinematic oeuvre, with a particular focus on his Paris-set films. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette's cine-thinking, to examine in tandem both films to which Deleuze directly responded, such as Le Pont du nord, and later post-Deleuze renegotiations of the city such as Secret défense. </jats:p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Deleuze Studies Edinburgh University Press

Paris and its Doubles: Deleuze/Rivette

Deleuze Studies , Volume 3 (2): 185 – Dec 1, 2009

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References (6)

Publisher
Edinburgh University Press
Copyright
Edinburgh University Press
Subject
Articles; Philosophy and Religion
ISSN
1750-2241
eISSN
1755-1684
DOI
10.3366/E1750224109000580
Publisher site
See Article on Publisher Site

Abstract

<jats:p> This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze's Cinema 2: The Time-Image. In particular it explores the concepts of ‘the powers of the false’ and ‘fabulation’ as ways of engaging with Rivette's cinematic oeuvre, with a particular focus on his Paris-set films. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette's cine-thinking, to examine in tandem both films to which Deleuze directly responded, such as Le Pont du nord, and later post-Deleuze renegotiations of the city such as Secret défense. </jats:p>

Journal

Deleuze StudiesEdinburgh University Press

Published: Dec 1, 2009

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