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Notes on Contributors

Notes on Contributors Imogen Cassels is writing a PhD on Dylan Thomas and experiences of reading. She has recently published on British surrealism, and translation. David Hawkes is Professor of English at Arizona State University. He is the author of six books: Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580–1680 (Palgrave: 2001), Ideology (Routledge: second edition 2003), The Faust Myth: Religion and the Rise of Representation (Palgrave: 2007), John Milton: A Hero of Our Time (Counterpoint: 2009), The Culture of Usury in Renaissance England (Palgrave: 2010) and Shakespeare and Economic Criticism (Bloomsbury, 2015). He has edited John Milton’s Paradise Lost (Barnes and Noble: 2004), John Bunyan’s The Pilgrim’s Progress (Barnes and Noble: 2005) and The Book of Nature and Humanity (Brepols, 2013). Sze Wah Sarah Lee gained her doctorate in English and Comparative Literature from Goldsmiths, University of London, and currently lectures at the Department of English Language and Literature at Hong Kong Baptist University. Her research focuses on the connections between literature and the visual arts in England and the European avant-garde around the First World War, in particular French, German and Italian influences on Imagism and Vorticism. Her article was awarded runner-up of the BAMS Essay http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Modernist Cultures Edinburgh University Press

Notes on Contributors

Modernist Cultures , Volume 16 (3): 1 – Aug 1, 2021
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Publisher
Edinburgh University Press
Copyright
Copyright © Edinburgh University Press
ISSN
2041-1022
eISSN
1753-8629
DOI
10.3366/mod.2021.0335
Publisher site
See Article on Publisher Site

Abstract

Imogen Cassels is writing a PhD on Dylan Thomas and experiences of reading. She has recently published on British surrealism, and translation. David Hawkes is Professor of English at Arizona State University. He is the author of six books: Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580–1680 (Palgrave: 2001), Ideology (Routledge: second edition 2003), The Faust Myth: Religion and the Rise of Representation (Palgrave: 2007), John Milton: A Hero of Our Time (Counterpoint: 2009), The Culture of Usury in Renaissance England (Palgrave: 2010) and Shakespeare and Economic Criticism (Bloomsbury, 2015). He has edited John Milton’s Paradise Lost (Barnes and Noble: 2004), John Bunyan’s The Pilgrim’s Progress (Barnes and Noble: 2005) and The Book of Nature and Humanity (Brepols, 2013). Sze Wah Sarah Lee gained her doctorate in English and Comparative Literature from Goldsmiths, University of London, and currently lectures at the Department of English Language and Literature at Hong Kong Baptist University. Her research focuses on the connections between literature and the visual arts in England and the European avant-garde around the First World War, in particular French, German and Italian influences on Imagism and Vorticism. Her article was awarded runner-up of the BAMS Essay

Journal

Modernist Cultures – Edinburgh University Press

Published: Aug 1, 2021

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