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Laughing at the Redeemer: Kundry and the Paradox of Parsifal

Laughing at the Redeemer: Kundry and the Paradox of Parsifal <jats:p> Matthew Wilson Smith discusses Wagner's “Parsifal” in relation to emerging discourses of psychology and aesthetics, and suggests that the work becomes in the process a proto-modern opera that dramatizes the increasingly problematic nature of both the self and representation. </jats:p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Modernist Cultures Edinburgh University Press

Laughing at the Redeemer: Kundry and the Paradox of Parsifal

Modernist Cultures , Volume 3 (1): 5 – Oct 1, 2007

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Publisher
Edinburgh University Press
Copyright
© Edinburgh University Press, 2010
ISSN
2041-1022
eISSN
1753-8629
DOI
10.3366/E204110220900029X
Publisher site
See Article on Publisher Site

Abstract

<jats:p> Matthew Wilson Smith discusses Wagner's “Parsifal” in relation to emerging discourses of psychology and aesthetics, and suggests that the work becomes in the process a proto-modern opera that dramatizes the increasingly problematic nature of both the self and representation. </jats:p>

Journal

Modernist CulturesEdinburgh University Press

Published: Oct 1, 2007

There are no references for this article.