Access the full text.
Sign up today, get DeepDyve free for 14 days.
<jats:p> Drawing on the pre-Modernist writings of Arno Holz among others, Janelle Blankenship (Brown University) argues for a significantly changed understanding of the often commented-upon role of technology in Mann's The Magic Mountain (1924). She rethinks Mann's great novel as creating “media hierarchies,” playing technologies off one another and thus aligning them with larger discourse networks. </jats:p>
Modernist Cultures – Edinburgh University Press
Published: Oct 1, 2005
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.