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J. Matthews (2009)
A companion to the modern American novel 1900-1950
B. Subercaseaux (2007)
Literatura, nación y nacionalismoArbor-ciencia Pensamiento Y Cultura, 183
M. North (1999)
Reading 1922: A Return to the Scene of the Modern
Gabriela Mistral (2010)
La lengua de MartíRevista De Occidente
Júlio Ramos (2001)
Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America
Osvaldo de la Torre and Claudia Cabello Hutt Annus Mirabilis: Mistralâs (Lack of) Place amid the Avant-Gardes 1922 has been described as an exceptional year in what we may (hesitatingly) call the globalising of modernism as an early episode in the contemporary history of âWorld Literatureâ. For the European and Anglo-American contexts, it was the year of publication of James Joyceâs Ulysses, T. S. Eliotâs The Waste Land, Paul Valéryâs Charmes, Virginia Woolfâs Jacobâs Room, W. B. Yeatsâs Later Poems, Henri Bergsonâs Durée et simultanéité, Rilkeâs Sonette an Orpheus, and the revised edition of Oswald Spenglerâs The Decline of the West (1918), to mention a few prominent examples.1 The English translation of Wittgensteinâs Tractatus (1921) also appeared the same year; it was a work, as Michael North indicates, that inaugurated a âlinguistic turnâ in Western philosophy and thus stands as a proper complement to the linguistic reï¬ection and experimentation practiced by the emerging avantgardes.2 In the Hispanic world, 1922 represented an equally-signiï¬cant year: to mention a few examples, at this time César Vallejo published his ground-breaking verse collection Trilce, Juan Ramón Jiménez his highly inï¬uential Segunda antolojÃa poética, and Oliverio Girondo his Veinte poemas para ser leÃdos en
Modernist Cultures – Edinburgh University Press
Published: May 1, 2012
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