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You Gotta LaughTeaching Critical Thinking via Comedy

You Gotta LaughTeaching Critical Thinking via Comedy While there is ample evidence that students in higher education benefit from an instructor’s judicious use of humor in lectures and teaching materials, there is less analysis available about the benefits to student critical thinking and communication of making a formal study of the mechanisms of comedy. In this article the author describes a new first-year, general-education course students titled Laughing Matters: Comedy and Satire, which she created because she believes such a topic is truly interdisciplinary, asking students to come to a sophisticated understanding of the interaction of psychological, sociological, historical, cultural, and artistic critical processes while engaging actively in a classroom dynamic that requires and fosters listening, tolerance, and cooperation. Because the material of performed and literary comedy is often confrontational and offensive, such a course enables students to “lean in” to the discomfort that conversations about racism, sexism, and political debate can cause, armed with a critical apparatus and a metadiscussion of how complex cognitive processes can create productive cultural exchange. This article offers descriptions of some of the readings and exercises in the course, with student responses that confirm that they valued the critical insights developed in this course, enhanced by their enjoyment of the course’s entertaining content. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Pedagogy Duke University Press

You Gotta LaughTeaching Critical Thinking via Comedy

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Copyright
Copyright © 2019 Duke University Press
ISSN
1531-4200
eISSN
1533-6255
DOI
10.1215/15314200-7296002
Publisher site
See Article on Publisher Site

Abstract

While there is ample evidence that students in higher education benefit from an instructor’s judicious use of humor in lectures and teaching materials, there is less analysis available about the benefits to student critical thinking and communication of making a formal study of the mechanisms of comedy. In this article the author describes a new first-year, general-education course students titled Laughing Matters: Comedy and Satire, which she created because she believes such a topic is truly interdisciplinary, asking students to come to a sophisticated understanding of the interaction of psychological, sociological, historical, cultural, and artistic critical processes while engaging actively in a classroom dynamic that requires and fosters listening, tolerance, and cooperation. Because the material of performed and literary comedy is often confrontational and offensive, such a course enables students to “lean in” to the discomfort that conversations about racism, sexism, and political debate can cause, armed with a critical apparatus and a metadiscussion of how complex cognitive processes can create productive cultural exchange. This article offers descriptions of some of the readings and exercises in the course, with student responses that confirm that they valued the critical insights developed in this course, enhanced by their enjoyment of the course’s entertaining content.

Journal

PedagogyDuke University Press

Published: Apr 1, 2019

References