Get 20M+ Full-Text Papers For Less Than $1.50/day. Subscribe now for You or Your Team.

Learn More →

Upper-Voice Structures and Compositional Process in the Ars nova Motet

Upper-Voice Structures and Compositional Process in the Ars nova Motet Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/67/1/171/1976487/171fuller.pdf by DEEPDYVE INC user on 12 July 2023 REV IEW S Anna Zayaruznaya RMA Monographs 32. Routledge, 2018: 158 pp. ($140.00 hardco ver, $44.95 paper) Sarah Fuller Since schol ar ly study of the French me e d va i l motet—a genre prominent from thea rs antiqua of the th t ir eenth ce tn ury through the ars n o ov f t a he fou t r eenth cen tury—began in the early t tw i et eh c n e t nury, the tenor line has bee t n c rae ln to inte pr re ta tion and an ya sl is of this re ep r tory. There are m tu i pl le re s aons for this focus on the tenor as prior i tu n s s tt o t a he texted upper voices of triplum and motetus (and untexted contratenor en if t) pr ae n sd co tn ra pun tal fou d na tion to the polyp o h ny. Foremost, the tenor ha ts s us a ta s pr ee x is tent borrowed m r ai t a el incor http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Music Theory Duke University Press

Upper-Voice Structures and Compositional Process in the Ars nova Motet

Journal of Music Theory , Volume 67 (1) – Apr 1, 2023

Loading next page...
 
/lp/duke-university-press/upper-voice-structures-and-compositional-process-in-the-ars-nova-motet-QCG3xWjGj0

References (2)

Copyright
Copyright © 2023 by Yale University
ISSN
0022-2909
eISSN
1941-7497
DOI
10.1215/00222909-10232105
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/67/1/171/1976487/171fuller.pdf by DEEPDYVE INC user on 12 July 2023 REV IEW S Anna Zayaruznaya RMA Monographs 32. Routledge, 2018: 158 pp. ($140.00 hardco ver, $44.95 paper) Sarah Fuller Since schol ar ly study of the French me e d va i l motet—a genre prominent from thea rs antiqua of the th t ir eenth ce tn ury through the ars n o ov f t a he fou t r eenth cen tury—began in the early t tw i et eh c n e t nury, the tenor line has bee t n c rae ln to inte pr re ta tion and an ya sl is of this re ep r tory. There are m tu i pl le re s aons for this focus on the tenor as prior i tu n s s tt o t a he texted upper voices of triplum and motetus (and untexted contratenor en if t) pr ae n sd co tn ra pun tal fou d na tion to the polyp o h ny. Foremost, the tenor ha ts s us a ta s pr ee x is tent borrowed m r ai t a el incor

Journal

Journal of Music TheoryDuke University Press

Published: Apr 1, 2023

There are no references for this article.