Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
The movie 8MM (dir. Joel Schumacher, 1999) tells us in no uncertain terms that, in its view, the degraded media festering beyond the Hollywood frame (and the degradation they transmit) include the world of Philippine cinema, a small-time, low-production-value perversion that is part of the slag thrown off by the great L.A. image smelter. Philippine cinema here is represented by a snuff ï¬lm that is vague, terrifying, obscene, and bogusâcharacteristics that third cinema has always had to negotiate.1 In the Filipino ï¬lm within a Hollywood ï¬lm in 8MM, the presumably real gang bang and faked murder of a woman identiï¬ed as Filipina is an image of the violating real that Hollywood wants to show but cannot. Put another way, her situation (what positions 9:2 © 2001 by Duke University Press positions 9:2 Fall 2001 she presumably is: object of desire/degraded whore; what she presumably represents: Third World licentiousness/freedom from moral inhibition) is at once internal to Hollywoodâs visual logic and radically excluded from its representation. Inside and underneath the ofï¬cial imagesâwhat can be shownâis her blood. This topographical peculiarity characteristic of the violating real is both the condition of the image as it appears in the global frame
positions asia critique – Duke University Press
Published: Sep 1, 2001
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.