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The Transcultural Eros of the Manchester Cāndāyana

The Transcultural Eros of the Manchester Cāndāyana This essay explores a single illustrated manuscript of Maulana Daud's Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate-period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Comparative Studies of South Asia, Africa and the Middle East Duke University Press

The Transcultural Eros of the Manchester Cāndāyana

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Copyright
Copyright © 2022 by Duke University Press
ISSN
1089-201X
eISSN
1548-226X
DOI
10.1215/1089201x-9987749
Publisher site
See Article on Publisher Site

Abstract

This essay explores a single illustrated manuscript of Maulana Daud's Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate-period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.

Journal

Comparative Studies of South Asia, Africa and the Middle East – Duke University Press

Published: Aug 1, 2022

References

  • Artistic Agency in Painted Narratives: The Case of the Chandayana Manuscripts
    Adamjee, Qamar Aitken, Molly Emma
  • Strategies for Visual Narration in the Illustrated Chandayan Manuscripts
    Adamjee, Qamar
  • The Art of the Book in India under the Sultanates
    Perrière, Brac de la Orsini, Francesca Sheikh, Samira
  • A New Document of Indian Painting
    Khandalavala, Karl Chandra, Moti Gupta, Parameshwari Lal
  • Water, the Sacred, and the Commons of Rajasthan: A Review of Anupam Mishra's Philosophy of Water
    Levi, Ricki Mishori, Daniel
  • ‘Krishna Is the Truth of Man’: Mir ‘Abdul Wahid Bilgrami's Haqā’iq-I Hindī (Indian Truths) and the Circulation of Dhrupad and Bisnupad
    Orsini, Francesca Busch, Allison Bruijn, Thomas de
  • Local Lexis? Provincializing Persian in Fifteenth-Century North India
    Pello, Stefano Orsini, Francesca Sheikh, Samira
  • Turk and Hindu: A Poetical Image and Its Application to Historical Fact
    Schimmel, Annemarie Vryonis, SperosJr.
  • In Search of Equivalence: Conceiving Muslim-Hindu Encounter through Translation Theory
    Stewart, Tony K
  • Artistic Agency in Painted Narratives: The Case of the Chandayana Manuscripts
    Adamjee, Qamar Aitken, Molly Emma
  • Strategies for Visual Narration in the Illustrated Chandayan Manuscripts
    Adamjee, Qamar
  • The Art of the Book in India under the Sultanates
    Perrière, Brac de la Orsini, Francesca Sheikh, Samira
  • A New Document of Indian Painting
    Khandalavala, Karl Chandra, Moti Gupta, Parameshwari Lal
  • Water, the Sacred, and the Commons of Rajasthan: A Review of Anupam Mishra's Philosophy of Water
    Levi, Ricki Mishori, Daniel
  • ‘Krishna Is the Truth of Man’: Mir ‘Abdul Wahid Bilgrami's Haqā’iq-I Hindī (Indian Truths) and the Circulation of Dhrupad and Bisnupad
    Orsini, Francesca Busch, Allison Bruijn, Thomas de
  • Local Lexis? Provincializing Persian in Fifteenth-Century North India
    Pello, Stefano Orsini, Francesca Sheikh, Samira
  • Turk and Hindu: A Poetical Image and Its Application to Historical Fact
    Schimmel, Annemarie Vryonis, SperosJr.
  • In Search of Equivalence: Conceiving Muslim-Hindu Encounter through Translation Theory
    Stewart, Tony K