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The Spiritual Imagination of the BeatsWomen Writers of the Beat Era: Autobiography and IntertextualityWorld Beats: Beat Generation Writing and the Worlding of U.S. LiteratureKerouac: Language, Poetics, and Territory

The Spiritual Imagination of the BeatsWomen Writers of the Beat Era: Autobiography and... 400 American Literature Joel Pfister is Olin Professor of English and American Studies at Wesleyan University and the author of six books, including Surveyors of Customs: American Literature as Cultural Analysis (2016) and Critique for What? Cultural Studies, American Studies, Left Studies (2006). DOI 10.1215/00029831-8267900 The Spiritual Imagination of the Beats. By David Stephen Calonne. New York: Cambridge Univ. Press. 2017. viii, 236 pp. Cloth, $105.00; e-book, $84.00. Women Writers of the Beat Era: Autobiography and Intertextuality.ByMary Paniccia Carden. Charlottesville: Univ. of Virginia Press. 2018. xvi, 227 pp. Cloth, $75.00; paper, $29.50; e-book, $75.00. World Beats: Beat Generation Writing and the Worlding of U.S. Literature. By Jimmy Fazzino. Hanover, NH: Dartmouth College Press. 2016. 258 pp. Paper, $40.00. Kerouac: Language, Poetics, and Territory. By Hassan Melehy. New York: Bloomsbury. 2016. xiii, 255 pp. Cloth, $94.50; paper, $27.96; e-book, $19.77. Not so long ago, there seemed to be a consensus about what constituted the Beat generation. At its heart lay the triumvirate of Jack Kerouac (the “King of the Beats”), Allen Ginsberg, and William S. Burroughs, respective authors of the Beat hypercanon, On the Road (1957), “Howl” (1956), and Naked Lunch (1959). Revolving around them was an outer circle of http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Literature Duke University Press

The Spiritual Imagination of the BeatsWomen Writers of the Beat Era: Autobiography and IntertextualityWorld Beats: Beat Generation Writing and the Worlding of U.S. LiteratureKerouac: Language, Poetics, and Territory

Gair, Christopher
American Literature , Volume 92 (2) – Jun 1, 2020
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Copyright
Copyright © 2020 by Duke University Press
ISSN
0002-9831
eISSN
1527-2117
DOI
10.1215/00029831-8267912
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Abstract

400 American Literature Joel Pfister is Olin Professor of English and American Studies at Wesleyan University and the author of six books, including Surveyors of Customs: American Literature as Cultural Analysis (2016) and Critique for What? Cultural Studies, American Studies, Left Studies (2006). DOI 10.1215/00029831-8267900 The Spiritual Imagination of the Beats. By David Stephen Calonne. New York: Cambridge Univ. Press. 2017. viii, 236 pp. Cloth, $105.00; e-book, $84.00. Women Writers of the Beat Era: Autobiography and Intertextuality.ByMary Paniccia Carden. Charlottesville: Univ. of Virginia Press. 2018. xvi, 227 pp. Cloth, $75.00; paper, $29.50; e-book, $75.00. World Beats: Beat Generation Writing and the Worlding of U.S. Literature. By Jimmy Fazzino. Hanover, NH: Dartmouth College Press. 2016. 258 pp. Paper, $40.00. Kerouac: Language, Poetics, and Territory. By Hassan Melehy. New York: Bloomsbury. 2016. xiii, 255 pp. Cloth, $94.50; paper, $27.96; e-book, $19.77. Not so long ago, there seemed to be a consensus about what constituted the Beat generation. At its heart lay the triumvirate of Jack Kerouac (the “King of the Beats”), Allen Ginsberg, and William S. Burroughs, respective authors of the Beat hypercanon, On the Road (1957), “Howl” (1956), and Naked Lunch (1959). Revolving around them was an outer circle of

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American Literature – Duke University Press

Published: Jun 1, 2020

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