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T h e M e t e o r o p h y s i o l o g y o f t h e C u r s e in S h a k e s p e a r e ’ s F i r s t T e t r a l o g y ’ R e b e c c a T o t a r o hen Shakespeare arm ed his characters w ith curses, he gave them po w e r over the im a gin atio ns o f audiences and ove r the o th er characters in range on the stage, b u t he also placed them squ are ly in an early m od ern psychophysiolog- ical a n d m e teo rological con text.2 Hum oral th e o ry has received much needed attention in relation to the early m od ern body, and it is to the larger e n viro nm en ta l aspect o f that th e o ry that I turn in th is sustained in vestigation o f cursing in Shakespeare's firs t tetralogy. M e
English Language Notes – Duke University Press
Published: Mar 1, 2013
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