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P. Pattynama (2007)
Memories of Interracial Contacts and Mixed Race in Dutch CinemaJournal of Intercultural Studies, 28
P. Pattynama (2012)
Colonial photographs as postcolonial social actors. The IWI collection.
(1985)
Hart van mij: Brieven en teksten van Maria Dermoût” (“Heart of Mine: Letters and Texts from Maria Dermoût”)
L. Sears (1998)
Fantasizing the feminine in IndonesiaPacific Affairs, 71
Paddy McQueen (2015)
The Politics of Recognition
J. Taylor (2012)
Nyai Dasima: Portrait of a Mistress in Literature and Film
A. Stoler, K. Strassler (2000)
Castings for the Colonial: Memory Work in ‘New Order' JavaComparative Studies in Society and History, 42
(1995)
Mimetic Subjects: Engendering Race at the Edge of Empire
L. Sears (2013)
Situated Testimonies: Dread and Enchantment in an Indonesian Literary Archive
J. Flatley (2008)
Glossary: Affect, Emotion, Mood (Stimmung), Structure of Feeling
S. Schmitz, Sara Ahmed (2014)
Affect/Emotion: Orientation Matters. A Conversation between Sigrid Schmitz and Sara Ahmed, 20
(1999)
Tienduizend dingen zijn onvervuld gebleven: Het allergeheimste dagboek van Maria Dermoût” (“Ten Thousand Things Have Remained Unfulfilled: The Most Secret Diary of Maria Dermoût”)
Storytelling brings into vivid focus the emotions and affects that different classes and races of people experienced in the imperial Dutch Indies island worlds. The storyteller explored in this article is Maria Dermoût (1888–1962), a mixed-race Dutch woman (Indo) who was born and raised on Java in the Dutch East Indies and who spent more than thirty years there. This article argues that Dermoût is a key writer for understanding affective economies, because she devotes significant time and effort in her fiction to fleshing out Native characters, something that few writers of her time did. The novella Toetie, one of Dermoût’s last works, uncovers Indies and Dutch attitudes toward race and color, moving her work from the genre of Indies Letters, or Dutch colonial literature, to that of postcolonial critique, with an exploration of forms of servitude, affect, and the social relations of her time.
positions – Duke University Press
Published: Feb 1, 2021
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