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A. Schering
Musikalische Bildung und Erziehung zum musikalischen Hören
Geoffrey Payzant (1989)
Hanslick on music as product of feelingJournal of Musicological Research, 9
August Halm
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E. Titchener
A text-book of psychology
P. Moos (1924)
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Theodor Lipps (2013)
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Carl Dahlhaus (1994)
Die Idee Der Absoluten Musik
H. Helmholtz (2013)
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Mark Burford (2006)
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H. Lotze, Elizabeth Hamilton, E. Jones (2006)
Microcosmus: An Essay Concerning Man and His Relation to the World
Mark Johnson (1987)
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Arnie Cox (2001)
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Wayne Bowman (1998)
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Lee Rothfarb (1992)
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Donald Crawford (1975)
Kant's aesthetic theory
R. Taruskin (1989)
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S. Langer (1944)
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G. Hegel, T. Knox (1975)
Aesthetics : lectures on fine art
Theophil Antonicek, Gernot Gruber, Christoph Landerer (2010)
Eduard Hanslick zum Gedenken : Bericht des Symposions zum Anlass seines 100. Todestages
T. Uehling (1971)
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I. Supičić, Ruth Katz, Carl Dahlhaus, Edward Lippman (1993)
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F. Maus (1988)
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Christoph Landerer (2010)
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Robert Vischer, H. Mallgrave, Eleftherios Ikonomou (1993)
Empathy, form, and space : problems in German aesthetics, 1873-1893
B. Bujić (2008)
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Janna Saslaw (1996)
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H. Siebeck
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C. Brower (2000)
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P. Kivy (1990)
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R. Ingarden, Adam Czerniawski, J. Harrell (1986)
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K. Westphal (1972)
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P. Wilson, P. Kivy (1981)
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G. Fechner (1998)
Elemente der Psychophysik
E. Hanslick (1957)
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Joseph Dubiel (1996)
On Getting DeconstructedThe Journal of Musicology, 15
C. Allesch (1987)
Geschichte der psychologischen Ästhetik : Untersuchungen zur historischen Entwicklung eines psychologischen Verständnisses ästhetischer Phänomene
Werner Abegg (1974)
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Vernon Lee (2008)
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R. Köhler (1996)
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Carl Dahlhaus (1989)
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M. Bonds (1997)
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Victor Zuckerkandl (1957)
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Mary McCloskey (1987)
Kant's Aesthetic
Gordon Epperson (1967)
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Sanna Pederson (2009)
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J. Kerman (1985)
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Nicholas Cook (1991)
Music, Imagination, And Culture
R. Zimmermann (1972)
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Matthew Brown (1996)
“Adrift on Neurath’s Boat”: The Case for a Naturalized Music TheoryMusic Theory Online, 2
A. Whittall, Leo Treitler (1990)
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Theodor Lipps (1904)
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J. Herbart (1993)
Lehrbuch zur Einleitung in die Philosophie
Nicholas Cook (1987)
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E. Fischer (1987)
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John Ronsheim, D. Randel, J. Nattiez, Martin Cooper, Geoffrey Payzant (1986)
The New Harvard Dictionary of Music@@@Orientations: Collected Writings by Pierre Boulez@@@Hanslick on the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of MusicAntioch Review, 45
C. Koopman (2001)
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E. Mundt (1959)
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R. Scruton (1997)
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C. Vereker, M. Mandelbaum (1973)
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Leonard Meyer (1968)
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Immanuel Kant, K. Vorländer (2009)
Kritik der Urteilskraft
Johannes Volkelt
Der Symbol-Begriff in der neuesten Aesthetik
Rudolf Schäfke (1982)
Geschichte der Musikästhetik in Umrissen
I. Kant, W. Pluhar (2000)
Critique of judgment
Immanuel Kant (2004)
Kritik Der Reinen Vernunft
G. Hegel, R. Bubner (1970)
Vorlesungen über die Ästhetik
S. Burnham (1997)
Theorists and The Music ItselfThe Journal of Musicology, 15
M. Bonds, Derrick Puffett, A. Clayton, Carl Dahlhaus (1989)
Schoenberg and the New Music: Essays by Carl Dahlhaus
J. Merz
Scientific Books: A History of European Thought in the Nineteenth CenturyScience
D. Murray (1983)
A history of Western psychology
Matthew Brown, D. Dempster (1989)
The Scientific Image of Music TheoryJournal of Music Theory, 33
Friedrich Vischer, K. Köstlin, Robert Vischer (1996)
Ästhetik Oder, Wissenschaft des Schönen
Stephanie Ross, P. Kivy (1985)
Sound and Semblance: Reflections on Musical Representation.The Philosophical Review, 95
Geoffrey Payzant (1981)
Hanslick, Sams, Gay, and Tonend Bewegte FormenThe Journal of Aesthetics and Art Criticism, 40
P. Kivy (1991)
Music Alone: Philosophical Reflections on the Purely Musical Experience
Edward Lippman (1994)
A history of Western musical aesthetics
F. Maus (1992)
Hanslick's AnimismThe Journal of Musicology, 10
P. Kivy (1989)
Sound Sentiment: An Essay on the Musical Emotions, including the complete text of The Corded Shell
E. Meumann
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E. Cassirer, J. Haden, S. Körner (1981)
Kant's Life And Thought
Werner Abegg (2010)
EDUARD HANSLICK UND DIE IDEE DER „REINEN INSTRUMENTALMUSIK“
Carl Dahlhaus, William Austin (1984)
Esthetics of music
Kofi Agawu (1992)
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J. Michniewicz, B. Bujić (1990)
"Music in european thought 1851-1912", Bojan Bujić, Cambridge 1988 : [recenzja] / Jerzy Michniewicz., 35
German-speaking aestheticians of the nineteenth century followed various paths of inquiry stimulated by Kant’s Critique of Judgment . One path leads in a formalist direction, through Johann Friedrich Herbart and Robert Zimmermann; the other leads in an empathist direction, from Johann Gottfried Herder’s rejection of Kant through Hegel, Friedrich Theodor and Robert Vischer, Karl Köstlin, and Johannes Volkelt. Eduard Hanslick, in arriving at his own destination, travels some distance on both paths, collecting along the way, on the one hand, Kant’s rigorous focus on the phenomenon and purposive form, eschewing “charms and emotions”; and on the other hand, Hegel’s focus on art’s spirituality, its “ideal content,” in characterizing the specifically musical, which for Hanslick embodies a “full share of ideality.” Clustered ideologically around Kant, Hegel, and Hanslick in closer or more distant orbit are the aforementioned authors whose writings chronicle the fortunes of formalism in the 1800s.
Journal of Music Theory – Duke University Press
Published: Sep 21, 2011
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