Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/duke-university-press/making-a-virtue-of-necessity-schenker-and-kantian-teleology-n5jEbTCd1Z
References (59)
-
Heinrich Schenker
Das Meisterwerk in der Musik : ein Jahrbuch -
Roger Kamien, H. Schenker, William Drabkin, Ian Bent, A. Clayton, Richard Kramer, Derrick Puffet, J. Rothgeb, Hedi Siegel (2001)
The masterwork in music : a yearbookJournal of Music Theory, 45
-
R. Rorty (1990)
Objectivity, relativism, and truth: Frontmatter -
Holly Watkins (2011)
Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg -
G. Hegel, H. Nisbet (1991)
Hegel: Elements of the Philosophy of Right -
R. Brandom (2009)
Reason in Philosophy: Animating Ideas -
Allan Keiler, Schenker (1989)
The Origins of Schenker's Thought: How Man Is MusicalJournal of Music Theory, 33
-
Matthew Brown (2005)
Explaining Tonality: Schenkerian Theory and Beyond -
Nadine Hubbs (2016)
Schenker's Organicism -
G. Hegel, Arnold Miller, John Findlay (1979)
Phenomenology of spiritPhilosophy and Phenomenological Research, 39
-
Joseph Dubiel, Schenker (1990)
When You are a Beethoven": Kinds of Rules in Schenker's "CounterpointJournal of Music Theory, 34
-
R. Brandom (2006)
Kantian Lessons about Mind, Meaning, and Rationality*Southern Journal of Philosophy, 44
-
E. Tarasti (2001)
Metaphors of nature and organicism in the epistemology of musicSign Systems Studies, 29
-
E. M., Richard Mckeon (1941)
The Basic Works of Aristotle -
K. Walton (1994)
3. Listening with Imagination: Is Music Representational?The Journal of Aesthetics and Art Criticism, 52
-
Angela Breitenbach (2008)
Two views on nature: A solution to Kant's antinomy of mechanism and teleologyBritish Journal for the History of Philosophy, 16
-
L. Blasius (1996)
Schenker's argument and the claims of music theory -
Ruth Solie (1980)
The Living Work: Organicism and Musical Analysis19th-Century Music, 4
-
P. Strawson (1979)
Individuals: An Essay in Descriptive Metaphysics -
M. Jay (1984)
Marxism and Totality: The Adventures of a Concept from Lukács to HabermasAmerican Political Science Review, 82
-
R. Morgan (2014)
Becoming Heinrich Schenker: Music Theory and Ideology -
W. Harris (2016)
Hegel's Logic -
E. Harris (1983)
An interpretation of the logic of Hegel -
F. Samarotto (2016)
Determinism, Prediction, and Inevitability in Brahms's Rhapsody in E♭ major, op. 119, no 4 -
Carl Dahlhaus (1989)
The Idea of Absolute Music -
I. Kant, P. Guyer, E. Matthews (2000)
Critique of the Power of Judgment -
Nicholas Cook (1989)
Schenker's Theory of Music as EthicsThe Journal of Musicology, 7
-
Janna Saslaw (2016)
Life Forces: Conceptual Structures in Schenker's "Free Composition" and Schoenberg's "The Musical Idea" -
H. Schenker (1992)
Beethoven's Ninth Symphony: A Portrayal of Its Musical Content, With Running Commentary on Performance and Literature As Well -
A. Schopenhauer, R. Haldane, J. Kemp (1975)
The World As Will And Idea -
Heinrich Schenker, Oswald Jonas (1935)
Der freie Satz -
H. Harris, Joanne Hyppolite, Samuel Cherniak, John Heckman, W. Marx, P. Heath, Judith Shklar (1976)
Genesis and Structure of Hegel's Phenomenology of Spirit.@@@Hegel's Phenomenology of Spirit: A Commentary on the Preface and Introduction.@@@Freedom and Independence: A study of the political ideas of Hegel's "Phenomenology of Mind."Philosophy and Phenomenological Research, 37
-
M. Rader (1980)
Marx's interpretation of history -
Emily Dolan (2013)
The Orchestral Revolution: Haydn and the Technologies of Timbre -
Andrew Kliman (2006)
Reclaiming Marx's 'Capital'. A Refutation of the Myth of Inconsistency -
John Ronsheim, D. Randel, J. Nattiez, Martin Cooper, Geoffrey Payzant (1986)
The New Harvard Dictionary of Music@@@Orientations: Collected Writings by Pierre Boulez@@@Hanslick on the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of MusicAntioch Review, 45
-
M. Black (1962)
Models and metaphors : studies in language and philosophyPhilosophy and Phenomenological Research, 23
-
Christopher Janaway (2012)
Schopenhauer: On the Fourfold Root of the Principle of Sufficient Reason and other writings -
I. Kant, P. Guyer, C. Bowman, Frederick Rauscher (2005)
Notes and Fragments -
Suzannah Clark (1999)
Schenker's Mysterious Five19th-Century Music, 23
-
David Cohen (2001)
“The Imperfect Seeks Its Perfection”: Harmonic Progression, Directed Motion, and Aristotelian PhysicsMusic Theory Spectrum, 23
-
Andrew Barker (2010)
The Schenker Project: Culture, Race and Music Theory in fin de siecle ViennaJournal of Jewish Studies, 61
-
Rachel Zuckert (2007)
Kant on Beauty and Biology: An Interpretation of the 'Critique of Judgment' -
H. Appelqvist (2011)
Form and Freedom: The Kantian Ethos of Musical FormalismThe Nordic Journal of Aesthetics, 22
-
Daniela Bailer-Jones (2009)
Scientific Models in Philosophy of Science -
Matthew Brown, D. Dempster (1989)
The Scientific Image of Music TheoryJournal of Music Theory, 33
-
William Pastille (1984)
Heinrich Schenker, Anti-Organicist19th-Century Music, 8
-
Byron Almén (1996)
Prophets of the Decline: The Worldviews of Heinrich Schenker and Oswald Spengler -
Robert Snarrenberg (1997)
Schenker's Interpretive Practice: Participation -
J. Lawler, G. Lakoff, Mark Johnson (1981)
Metaphors We Live byLanguage, 59
-
I. Kant, R. Louden, Günter Zöller (2007)
Anthropology, History, and Education -
Stephen Palmquist (2016)
"THE KINGDOM OF GOD IS AT HAND!" (DID KANT REALLY SAY THAT?)History of Philosophy Quarterly, 11
-
R. Taruskin (1989)
REPLY TO BROWN AND DEMPSTERJournal of Music Theory, 33
-
Michael Cherlin (1988)
Hauptmann and Schenker: Two Adaptations of Hegelian DialecticsTheory and Practice, 13
-
I. Kant, Arnulf Zweig, T. Hill (2002)
Groundwork for the Metaphysics of Morals -
R. Brandom (2008)
Between Saying and Doing: Towards an Analytic Pragmatism -
Eduard Hanslick (2016)
Vom Musikalisch-Schönen Ein Beitrag zur Revision der Ästhetik der Tonkunst -
R. Taruskin (2011)
Catching Up with Rimsky-KorsakovMusic Theory Spectrum, 33
-
Kofi Agawu (2008)
Music as Discourse: Semiotic Adventures in Romantic Music
- Publisher
- Duke University Press
- Copyright
- Copyright © Duke Univ Press
- ISSN
- 0022-2909
- eISSN
- 1941-7497
- DOI
- 10.1215/00222909-3855722
- Publisher site
- See Article on Publisher Site
Abstract
Schenker has a puzzling and controversial habit of claiming that musical works must be as they are and that their features are somehow necessary . I argue that Schenker's necessitarianism becomes comprehensible if it is recognized as an outgrowth of his methodological organicism, which is in turn motivated by his Hanslickian musical absolutism. What emerges from this triangulation of commitments is that Schenker's interpretive practice accords with the scientific precepts Kant's philosophy of biology attempts to establish. This result casts new light on the purport of Schenker's graphical technique. Heinrich Schenker Immanuel Kant Eduard Hanslick organicism biology
Journal
Journal of Music Theory – Duke University Press
Published: Apr 1, 2017