Access the full text.
Sign up today, get DeepDyve free for 14 days.
(1989)
The Autobiographical Pact
Theodor Adorno, Bob Hullot-Kentor, F. Will (1984)
The Essay as FormNew German Critique
Aimee Pozorski (2021)
Trauma TheoryPhilip Roth in Context
(2019)
NarrativeThe Blackwell Encyclopedia of Sociology
Hanna Meretoja (2014)
The Narrative Turn in Fiction and Theory
Sujatha Fernandes (2017)
Curated Stories: The Uses and Misuses of Storytelling
(2008)
Tellability
Daniel Kim (2020)
Translations and Ghostings of History: The Novels of Han KangNew Literary History, 51
Porter H. Hühn Abbott (2014)
NarrativityHandbook of Narratology
Abbott (2014)
587
(2012)
A Braided Heart: Shaping the Lyric Essay
J. Brockmeier, Donal Carbaugh (2001)
Narrative and Identity: Studies in Autobiography, Self and Culture
(2018)
From Appropriation to Dialogic Exploration: A Non-subsumptive Model of Storytelling
Mitchum Huehls (2015)
The Post-Theory Theory NovelContemporary Literature, 56
D. Peterson (1985)
AutobiographySteroids, 45
(2018)
Introduction: Intersections of Storytelling and Ethics
Pieter Vermeulen (2015)
Contemporary Literature and the End of the Novel: Creature, Affect, Form
J. Culler (2022)
Structuralist Poetics
A. Rüggemeier (2020)
Life Writing and the Poetics of List-Making: On the Manifestations, Effects, and Possible Uses of Lists in Life Writinga/b: Auto/Biography Studies, 36
A. Nünning, Alexander Scherr (2018)
The Rise of the Fragmentary Essay-Novel: Towards a Poetics and Contextualization of an Emerging Hybrid Genre in the Digital AgeAnglia, 136
D. Herman (2009)
Basic elements of narrative
Detlev Schumann (1945)
Conjunctive and Disjunctive Enumeration in Recent German PoetryPMLA/Publications of the Modern Language Association of America, 60
(2017)
Wild Associations: Rebecca Solnit, Maggie Nelson, and the Lyric Essay
(1981)
The Value of Narrativity in the Representation of History
M. Fludernik (2000)
TOWARDS A ‘NATURAL’ NARRATOLOGY, 25
Eva Contzen (2016)
The Limits of Narration: Lists and Literary HistoryStyle, 50
J. Bruner (1991)
Self-making and world-makingThe Journal of Aesthetic Education, 25
J. Bruner (1991)
The Narrative Construction of RealityCritical Inquiry, 18
(2006)
NarrativityTropes for the Past
Robert Belknap (2004)
The List: The Uses and Pleasures of Cataloguing
Barton (2022)
1
P. Eakin (2019)
How our lives become stories : making selves
(2008)
Ways of Self-Making in (Fictional) Narrative: Interdisciplinary Perspectives on Narratives and Identity
M. Mäkelä, Samuli Björninen, Laura Karttunen, M. Nurminen, Juha Raipola, Tytti Rantanen (2021)
Dangers of Narrative: A Critical Approach to Narratives of Personal Experience in Contemporary Story EconomyNarrative, 29
(2022)
Introduction: Epistemic and Artistic List-Making
(2018)
Auto/biographic Metafiction and Relational Lives: Antonia S. Byatt's The Biographer's Tale (2000) and J. M. Coetzee's Summertime (2009) as Paradigms of Meta-auto/biographies
Maria Garcia (2019)
EntangledMessy Eating
Focusing on Maggie Nelson's Bluets (2009) and Han Kang's The White Book (2016), this contribution explores how contemporary life writers critically engage with the causally and temporally bound form of narrative through the use of story-critical forms such as lists, vignettes, and meditations. While scholars of narrative agree that we witness a new dominance of the generic conventions of traditional autobiography—especially its trope of redemption and conversion narratives—among storytellers on digital platforms as well as in advertisement, marketing and political campaigns, the literary genre of autobiography, this article argues, starts to reinvent itself. The life writers Nelson and Kang turn toward the essayistic rather than the affirmative, the enumerative rather than the narrative, and the unity of form rather than the linear and causal cohesion of storytelling. Bluets and The White Book show their authors as deeply involved in imagining alternative acts of literary representation that exceed the scripts and protocols that are usually activated and called up through the story-ing of the self. As Nelson and Kang explore the story-critical affordances of fragmentary literary forms and test the limits of experientiality (sensu Fludernik), they highlight the opaqueness of life and ask for non-subsumptive readings (sensu Meretoja).
Poetics Today – Duke University Press
Published: Jun 1, 2022
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.