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Introduction: The Novel and the Global Reach of Black Lives Matter

Introduction: The Novel and the Global Reach of Black Lives Matter Downloaded from http://read.dukeupress.edu/novel/article-pdf/55/1/1/1611827/1mitchell.pdf by DEEPDYVE INC user on 12 July 2022 Introduction: The Novel and the Global Reach of Black Lives Matter JUSTIN MITCHELL AND JOHN MARX The relationship between culture and politics is a fraught one—nowhere more so than in the realm of what we call, for lack of a better term, Black politics. Indeed, in recent years some of the fiercest and most illuminating debates about the status of culture in the political realm and vice versa have taken place among scholars of Black life, many of them novel scholars and, more generally, literary critics. No doubt this has something to do with the paradoxical role that culture has played in Black political life, where it can appear to offer potential not available in the more narrowly defined electoral domain. As Kenneth Warren’s scholarship has ably demonstrated, Black cultural politics emerged in the United States as an “elite- driven” strategy to combat Black disenfranchisement under Jim Crow (“Reply” 407). Outside the United States, and particularly in sub-Saharan Africa, one finds a comparable history in which postcolonial liberation and the now-canonical fic- tions of the mid-twentieth-century African novel emerged more or less together. The African literary canon in http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Novel Duke University Press

Introduction: The Novel and the Global Reach of Black Lives Matter

Novel , Volume 55 (1) – May 1, 2022

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Copyright
Copyright © 2022 by Novel, Inc.
ISSN
0029-5132
eISSN
1945-8509
DOI
10.1215/00295132-9614919
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://read.dukeupress.edu/novel/article-pdf/55/1/1/1611827/1mitchell.pdf by DEEPDYVE INC user on 12 July 2022 Introduction: The Novel and the Global Reach of Black Lives Matter JUSTIN MITCHELL AND JOHN MARX The relationship between culture and politics is a fraught one—nowhere more so than in the realm of what we call, for lack of a better term, Black politics. Indeed, in recent years some of the fiercest and most illuminating debates about the status of culture in the political realm and vice versa have taken place among scholars of Black life, many of them novel scholars and, more generally, literary critics. No doubt this has something to do with the paradoxical role that culture has played in Black political life, where it can appear to offer potential not available in the more narrowly defined electoral domain. As Kenneth Warren’s scholarship has ably demonstrated, Black cultural politics emerged in the United States as an “elite- driven” strategy to combat Black disenfranchisement under Jim Crow (“Reply” 407). Outside the United States, and particularly in sub-Saharan Africa, one finds a comparable history in which postcolonial liberation and the now-canonical fic- tions of the mid-twentieth-century African novel emerged more or less together. The African literary canon in

Journal

NovelDuke University Press

Published: May 1, 2022

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