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Introduction

Introduction Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/65/1/3/927933/3jordan.pdf by DEEPDYVE INC user on 30 March 2022 Stephanie Jordan “Dance is vir tu ally always music-and-dance, una avbolidy int deris ci plin ary,” I wrote some years ago ( Jordan 2011). In recent years, t t h ii o s r n sh e i l p h a as attracted much scrt ui ny, a long-ov d eu re the o ri za tion of rel ta ions between the two media, yield ing fas ci nat ing insights. Perhaps this is because of the lat t e t i etw h- e c n en tur y explo sion of inte er st in “the body” across the arts and beyond, with music itself seen as phy is cal bus niess by com pos ers, per form ers, and mus ciol o gists (e.g., Cox 2017). Perhaps it has been affected by the recent o whe vl em r ing drive toward interdisciplinarity acro a s c s a a de lm l ic fields. W hatever the r soe n a s, tr y chan in gg the music for a dance and there would be no q tio u n a http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Music Theory Duke University Press

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Copyright
Copyright © 2021 by Yale University
ISSN
0022-2909
eISSN
1941-7497
DOI
10.1215/00222909-9124690
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/65/1/3/927933/3jordan.pdf by DEEPDYVE INC user on 30 March 2022 Stephanie Jordan “Dance is vir tu ally always music-and-dance, una avbolidy int deris ci plin ary,” I wrote some years ago ( Jordan 2011). In recent years, t t h ii o s r n sh e i l p h a as attracted much scrt ui ny, a long-ov d eu re the o ri za tion of rel ta ions between the two media, yield ing fas ci nat ing insights. Perhaps this is because of the lat t e t i etw h- e c n en tur y explo sion of inte er st in “the body” across the arts and beyond, with music itself seen as phy is cal bus niess by com pos ers, per form ers, and mus ciol o gists (e.g., Cox 2017). Perhaps it has been affected by the recent o whe vl em r ing drive toward interdisciplinarity acro a s c s a a de lm l ic fields. W hatever the r soe n a s, tr y chan in gg the music for a dance and there would be no q tio u n a

Journal

Journal of Music TheoryDuke University Press

Published: Apr 1, 2021

References