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Introduction

Introduction a special thank you is due to lisa Freinkel and the Department of comparative literature at the University of Oregon for the support of this special issue. i am also grateful for the editorial insights and assistance provided by George Rowe and lynne Rossi at the journal Comparative Literature. Finally, my gratitude extends to Georges Khalil at the Forum for Transregional Studies in Berlin, as well as hicham Bouzid, Bina Gogineni, Saba mahmood, Sunayani Bhattacharya, and Baran Germen for the conversations that helped to shape the introduction. Comparative Literature 65:3 DOi 10.1215/00104124-2325086 © 2013 by University of Oregon cOmPaRaTiVe liTeRaTURe / 258 in the two terms. in the end, reading secularism means confronting dominant presumptions about the liberal state and its claims to mediate between religious differences, as well as analyzing the practices, disciplines, and behaviors informing secular attachments. Discussions of religion and aesthetics have a known genealogy within literary criticism: Philippe lacoue-labarthe's and Jean-luc nancy's reflections on Romanticism, aesthetics, and the sublime; edward Said's notion of secular criticism; carl Schmitt's and Walter Benjamin's comments on political theology; or various studies of mysticism, magic, and disenchantment (see During and Viswanathan, "Secularism"). and the last few years have seen http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Comparative Literature Duke University Press

Introduction

Allan, M.
Comparative Literature , Volume 65 (3) – Jun 20, 2013
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Publisher
Duke University Press
Copyright
Copyright © Duke Univ Press
ISSN
0010-4124
eISSN
1945-8517
DOI
10.1215/00104124-2325086
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Abstract

a special thank you is due to lisa Freinkel and the Department of comparative literature at the University of Oregon for the support of this special issue. i am also grateful for the editorial insights and assistance provided by George Rowe and lynne Rossi at the journal Comparative Literature. Finally, my gratitude extends to Georges Khalil at the Forum for Transregional Studies in Berlin, as well as hicham Bouzid, Bina Gogineni, Saba mahmood, Sunayani Bhattacharya, and Baran Germen for the conversations that helped to shape the introduction. Comparative Literature 65:3 DOi 10.1215/00104124-2325086 © 2013 by University of Oregon cOmPaRaTiVe liTeRaTURe / 258 in the two terms. in the end, reading secularism means confronting dominant presumptions about the liberal state and its claims to mediate between religious differences, as well as analyzing the practices, disciplines, and behaviors informing secular attachments. Discussions of religion and aesthetics have a known genealogy within literary criticism: Philippe lacoue-labarthe's and Jean-luc nancy's reflections on Romanticism, aesthetics, and the sublime; edward Said's notion of secular criticism; carl Schmitt's and Walter Benjamin's comments on political theology; or various studies of mysticism, magic, and disenchantment (see During and Viswanathan, "Secularism"). and the last few years have seen

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Comparative Literature – Duke University Press

Published: Jun 20, 2013

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