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Introduction

Introduction JOURNAL of MUSIC THEORY underpinnings of the history of music theory, these authors suggest many new avenues for the analysis of eighteenth- and nineteenth-century music. Performance practice, Satztechnik, improvisation, thoroughbass, music cognition, oral tradition, craft training, apprenticeship—they all come together in the study of partimenti. —Robert O. Gjerdingen http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Music Theory Duke University Press

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Publisher
Duke University Press
Copyright
Copyright 2007 by Yale University
ISSN
0022-2909
eISSN
1941-7497
DOI
10.1215/00222909-2008-021
Publisher site
See Article on Publisher Site

Abstract

JOURNAL of MUSIC THEORY underpinnings of the history of music theory, these authors suggest many new avenues for the analysis of eighteenth- and nineteenth-century music. Performance practice, Satztechnik, improvisation, thoroughbass, music cognition, oral tradition, craft training, apprenticeship—they all come together in the study of partimenti. —Robert O. Gjerdingen

Journal

Journal of Music TheoryDuke University Press

Published: Jan 1, 2007

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