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Ho Chi Minh City's Beauty Regime: Haptic Technologies of the Self in the New Millennium

Ho Chi Minh City's Beauty Regime: Haptic Technologies of the Self in the New Millennium Through an often seemingly contradictory system of market socialism in Vietnam and specifically within the economic capital of Ho Chi Minh City, how may the ways in which people have been using photography and its practices since Ðổi mới (Renovation) elucidate modes of neoliberalism related to self-management and governmentality that may be at play? This article will explore the shifting idea of beauty and how the Vietnamese state has been using it historically to hegemonize the nation. It will also examine Vietnamese subject formation and subjectivities in the southern urban center through contemporary individual acts of self-fashioning, projects of physical aestheticization and the manufacturing of new individual fates evident in the activity of studio portraiture and its postproduction digital manipulations in photo recovery shops. Some of the ways in which different modes of tactility, touch, and digital processes and technologies are used in conjunction with visual images in complicity and compliance with state agendas as well as in the creation of fluid spaces that may subvert the political and structural constraints that the state has been known to impose on Vietnamese lives will be illuminated. CiteULike Connotea Delicious Digg Facebook Google+ Reddit Technorati Twitter What's this? « Previous | Next Article » Table of Contents This Article doi: 10.1215/10679847-1538488 positions 2012 Volume 20, Number 2: 473-493 » Abstract Full Text (PDF) Classifications Article Services Email this article to a colleague Alert me when this article is cited Alert me if a correction is posted Similar articles in this journal Similar articles in Web of Science Download to citation manager Citing Articles Load citing article information Citing articles via Web of Science Google Scholar Articles by Hien, N. Related Content Load related web page information Social Bookmarking CiteULike Connotea Delicious Digg Facebook Google+ Reddit Technorati Twitter What's this? Current Issue Winter 2012, 20 (1) Alert me to new issues of positions Duke University Press Journals ONLINE About the Journal Editorial Board Submission Guidelines Permissions Advertising Indexing / Abstracting Privacy Policy Subscriptions Library Resource Center Activation / Acct. Mgr. E-mail Alerts Help Feedback © 2012 by Duke University Press Print ISSN: 1067-9847 Online ISSN: 1527-8271 var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www."); document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E")); try { var pageTracker = _gat._getTracker("UA-5666725-1"); pageTracker._trackPageview(); } catch(err) {} http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png positions asia critique Duke University Press

Ho Chi Minh City's Beauty Regime: Haptic Technologies of the Self in the New Millennium

positions asia critique , Volume 20 (2) – Mar 20, 2012

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Publisher
Duke University Press
Copyright
Copyright © Duke Univ Press
ISSN
1067-9847
eISSN
1527-8271
DOI
10.1215/10679847-1538488
Publisher site
See Article on Publisher Site

Abstract

Through an often seemingly contradictory system of market socialism in Vietnam and specifically within the economic capital of Ho Chi Minh City, how may the ways in which people have been using photography and its practices since Ðổi mới (Renovation) elucidate modes of neoliberalism related to self-management and governmentality that may be at play? This article will explore the shifting idea of beauty and how the Vietnamese state has been using it historically to hegemonize the nation. It will also examine Vietnamese subject formation and subjectivities in the southern urban center through contemporary individual acts of self-fashioning, projects of physical aestheticization and the manufacturing of new individual fates evident in the activity of studio portraiture and its postproduction digital manipulations in photo recovery shops. Some of the ways in which different modes of tactility, touch, and digital processes and technologies are used in conjunction with visual images in complicity and compliance with state agendas as well as in the creation of fluid spaces that may subvert the political and structural constraints that the state has been known to impose on Vietnamese lives will be illuminated. CiteULike Connotea Delicious Digg Facebook Google+ Reddit Technorati Twitter What's this? « Previous | Next Article » Table of Contents This Article doi: 10.1215/10679847-1538488 positions 2012 Volume 20, Number 2: 473-493 » Abstract Full Text (PDF) Classifications Article Services Email this article to a colleague Alert me when this article is cited Alert me if a correction is posted Similar articles in this journal Similar articles in Web of Science Download to citation manager Citing Articles Load citing article information Citing articles via Web of Science Google Scholar Articles by Hien, N. Related Content Load related web page information Social Bookmarking CiteULike Connotea Delicious Digg Facebook Google+ Reddit Technorati Twitter What's this? Current Issue Winter 2012, 20 (1) Alert me to new issues of positions Duke University Press Journals ONLINE About the Journal Editorial Board Submission Guidelines Permissions Advertising Indexing / Abstracting Privacy Policy Subscriptions Library Resource Center Activation / Acct. Mgr. E-mail Alerts Help Feedback © 2012 by Duke University Press Print ISSN: 1067-9847 Online ISSN: 1527-8271 var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www."); document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E")); try { var pageTracker = _gat._getTracker("UA-5666725-1"); pageTracker._trackPageview(); } catch(err) {}

Journal

positions asia critiqueDuke University Press

Published: Mar 20, 2012

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