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Form as Harmony in Rock Music

Form as Harmony in Rock Music Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/67/1/199/1973723/199thomas.pdf by DEEPDYVE INC user on 12 July 2023 REV IEW S Drew Nobile Oxford University Press, 2020: 292 pp. ($110.00 hard cover) Margaret Thomas Dr ew Nobile’s Form as Harmony in Rock Music con sti tutes an impor tant addi tion to the grow ing body of mono graphs and text books focus ing on the the ory and anal y sis of rock music (va i o rusly defined). Nobile frames his t o h r ey around re e p r­ toire he calls “sm­a r r llock,” which he describes not as a genre, but as an “umbrella term encompassing many genres,” incl iu n d g music that might be char ac ter ized gener i cally as “ bi­ g R Rock,” pop, fol­ k rock, and so on. He strives to “make the case that all o f these var i ous genres can be seen to exhibit a co si ns tent musi cal style , engag ing with the same com po si tional norms and employing s i i l m ar expre ss ive devices” (xxi). Nobile’s “ta gr et rep er toire. . . is http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Music Theory Duke University Press

Form as Harmony in Rock Music

Journal of Music Theory , Volume 67 (1) – Apr 1, 2023

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Copyright
Copyright © 2023 by Yale University
ISSN
0022-2909
eISSN
1941-7497
DOI
10.1215/00222909-10232129
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://read.dukeupress.edu/journal-of-music-theory/article-pdf/67/1/199/1973723/199thomas.pdf by DEEPDYVE INC user on 12 July 2023 REV IEW S Drew Nobile Oxford University Press, 2020: 292 pp. ($110.00 hard cover) Margaret Thomas Dr ew Nobile’s Form as Harmony in Rock Music con sti tutes an impor tant addi tion to the grow ing body of mono graphs and text books focus ing on the the ory and anal y sis of rock music (va i o rusly defined). Nobile frames his t o h r ey around re e p r­ toire he calls “sm­a r r llock,” which he describes not as a genre, but as an “umbrella term encompassing many genres,” incl iu n d g music that might be char ac ter ized gener i cally as “ bi­ g R Rock,” pop, fol­ k rock, and so on. He strives to “make the case that all o f these var i ous genres can be seen to exhibit a co si ns tent musi cal style , engag ing with the same com po si tional norms and employing s i i l m ar expre ss ive devices” (xxi). Nobile’s “ta gr et rep er toire. . . is

Journal

Journal of Music TheoryDuke University Press

Published: Apr 1, 2023

References