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Crip/Mad Archive DancesArts-Based Methods in and out of the Archive

Crip/Mad Archive DancesArts-Based Methods in and out of the Archive Petra Kuppers reflects on her work in the crip/mad archive, which explores the work of mad, queer, and disabled predecessors in the fields of dance and performance. Kuppers consider how her personal relationship to therapeutic dance has changed (particularly therapeutic practices led by nondisabled artists such as Anne Wilson Wangh) and the importance of movement and embodiment in Kuppers’s own work—including a close description of ritual dance reenactments she conducted alongside her archival work at Lincoln Center in New York in 2021. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Theater Duke University Press

Crip/Mad Archive DancesArts-Based Methods in and out of the Archive

Theater , Volume 52 (2) – May 1, 2022

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Copyright
© 2022 by David Geffen School of Drama at Yale/Yale Repertory Theatre
ISSN
0161-0775
eISSN
1527-196X
DOI
10.1215/01610775-9662255
Publisher site
See Article on Publisher Site

Abstract

Petra Kuppers reflects on her work in the crip/mad archive, which explores the work of mad, queer, and disabled predecessors in the fields of dance and performance. Kuppers consider how her personal relationship to therapeutic dance has changed (particularly therapeutic practices led by nondisabled artists such as Anne Wilson Wangh) and the importance of movement and embodiment in Kuppers’s own work—including a close description of ritual dance reenactments she conducted alongside her archival work at Lincoln Center in New York in 2021.

Journal

TheaterDuke University Press

Published: May 1, 2022

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