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Contributors

Contributors is assistant professor of East Asian languages and literature, University of California at Irvine, and coeditor of Im Kwon-taek: The Making of a Korean National Cinema (2001). Helen Hok-sze Leung, Killam postdoctoral fellow in Asian studies, the University of British Columbia, is developing a book manuscript on sexual dissidence in contemporary Hong Kong cinema. Bliss (Felicidad) Cua Lim, assistant professor of film studies at the University of California, Irvine, is writing on fantastic cinema and the philosophy of history; her recent work on film appears in Camera Obscura and the Velvet Light Trap. positions 9:2 Fall 2001 Gina Marchetti, associate professor of cinema and photography, Ithaca College, is the author of Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction (1993). Susan J. Napier, professor of Asian studies, University of Texas, is the author of Anime from Akira to Princess Mononoke (2001). Esther C. M. Yau, associate professor of film and new media at Occidental College, is the editor of At Full Speed: Hong Kong Cinema in a Borderless World (2001). Errata The editors would like to correct three errors in Jordan Sand’s article “Was Meiji Taste in Interiors ‘Orientalist’?” in positions 8:3, the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png positions asia critique Duke University Press

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Publisher
Duke University Press
Copyright
Copyright 2001 by Duke University Press
ISSN
1067-9847
eISSN
1527-8271
DOI
10.1215/10679847-9-2-495
Publisher site
See Article on Publisher Site

Abstract

is assistant professor of East Asian languages and literature, University of California at Irvine, and coeditor of Im Kwon-taek: The Making of a Korean National Cinema (2001). Helen Hok-sze Leung, Killam postdoctoral fellow in Asian studies, the University of British Columbia, is developing a book manuscript on sexual dissidence in contemporary Hong Kong cinema. Bliss (Felicidad) Cua Lim, assistant professor of film studies at the University of California, Irvine, is writing on fantastic cinema and the philosophy of history; her recent work on film appears in Camera Obscura and the Velvet Light Trap. positions 9:2 Fall 2001 Gina Marchetti, associate professor of cinema and photography, Ithaca College, is the author of Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction (1993). Susan J. Napier, professor of Asian studies, University of Texas, is the author of Anime from Akira to Princess Mononoke (2001). Esther C. M. Yau, associate professor of film and new media at Occidental College, is the editor of At Full Speed: Hong Kong Cinema in a Borderless World (2001). Errata The editors would like to correct three errors in Jordan Sand’s article “Was Meiji Taste in Interiors ‘Orientalist’?” in positions 8:3, the

Journal

positions asia critiqueDuke University Press

Published: Sep 1, 2001

There are no references for this article.