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Contributors

Contributors Ronald Dorris is an assistant professor of American Studies in the depart­ ment of American Studies at the University of Notre Dame. He has pub­ lished articles in such journals as the Western fournal of Black Studies and Western Humanities as well as in the book Perspectives of Black Popular Culture (1990). Katrina Hazzard-Gordon is chair of the department of Sociology at Rutgers University in Camden, New Jersey. She is the author of fookin': The Rise of Social Dance in African-American Culture (1990). Cheryl Townsend Gilkes is the John D . and Catherine T MacArthur Associ­ ate Professor of African-American Studies and Sociology at Colby College. Her articles appear in numerous edited books and have been published in such journals as fournal of Religious Thought, fournal of Feminist Studies in Religion, and Signs: fournal of Women in Culture and Society. Jacqueline Grant is an associate professor of Systematic Theology at the Interdenominational Theological Center in Atlanta . She is the author of White Women's Christ and Black Women's f esus: Femini st Christology and Womanist Response (1989) . Robert E. Hood is professor of Religion and director of the Center for African­ American Studies at Adelphi University; Garden City; New York, and for­ merly was professor of Church and Society; General Theological Seminary; New York. He is author of Must God Remain Greek! Afro Cultures and God-Talk (1990) and Begrimed and Black: Origin s of Beliefs about Blacks in Christian Thought (forthcoming). John Mendez is pastor of Emmanuel Baptist Church in Winston-Salem, North Carolina, a member of the Progressive Baptist Convention, and is an instructor at the Divinity School at Shaw University in Raleigh. Michael A. Battle is the chaplain of Hampton University and executive secretary and treasurer of the Hampton University Ministers' Conference . He is the author of Voices of Experience (1984) . Downloaded from http://read.dukeupress.edu/black-sacred-music/article-pdf/7/1/91/793121/91contributors.pdf by DEEPDYVE INC user on 13 February 2021 http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Black Sacred Music Duke University Press

Contributors

Black Sacred Music , Volume 7 (1) – Mar 1, 1993
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Copyright
Copyright © 1993 by Duke University Press
ISSN
1043-9455
eISSN
2640-9879
DOI
10.1215/10439455-7.1.91
Publisher site
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Abstract

Ronald Dorris is an assistant professor of American Studies in the depart­ ment of American Studies at the University of Notre Dame. He has pub­ lished articles in such journals as the Western fournal of Black Studies and Western Humanities as well as in the book Perspectives of Black Popular Culture (1990). Katrina Hazzard-Gordon is chair of the department of Sociology at Rutgers University in Camden, New Jersey. She is the author of fookin': The Rise of Social Dance in African-American Culture (1990). Cheryl Townsend Gilkes is the John D . and Catherine T MacArthur Associ­ ate Professor of African-American Studies and Sociology at Colby College. Her articles appear in numerous edited books and have been published in such journals as fournal of Religious Thought, fournal of Feminist Studies in Religion, and Signs: fournal of Women in Culture and Society. Jacqueline Grant is an associate professor of Systematic Theology at the Interdenominational Theological Center in Atlanta . She is the author of White Women's Christ and Black Women's f esus: Femini st Christology and Womanist Response (1989) . Robert E. Hood is professor of Religion and director of the Center for African­ American Studies at Adelphi University; Garden City; New York, and for­ merly was professor of Church and Society; General Theological Seminary; New York. He is author of Must God Remain Greek! Afro Cultures and God-Talk (1990) and Begrimed and Black: Origin s of Beliefs about Blacks in Christian Thought (forthcoming). John Mendez is pastor of Emmanuel Baptist Church in Winston-Salem, North Carolina, a member of the Progressive Baptist Convention, and is an instructor at the Divinity School at Shaw University in Raleigh. Michael A. Battle is the chaplain of Hampton University and executive secretary and treasurer of the Hampton University Ministers' Conference . He is the author of Voices of Experience (1984) . Downloaded from http://read.dukeupress.edu/black-sacred-music/article-pdf/7/1/91/793121/91contributors.pdf by DEEPDYVE INC user on 13 February 2021

Journal

Black Sacred Music – Duke University Press

Published: Mar 1, 1993

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