Access the full text.
Sign up today, get DeepDyve free for 14 days.
Comparative Literature 64:3 DOI 10.1215/00104124-1672970 © 2012 by University of Oregon CAMUS, OUR CONTEMPORARY / 317 Today, the life and work of Albert Camus appear to have regained a significant, if not a crucial, place in our intellectual and cultural landscape. To be sure, Camus had already "resurfaced," so to speak, in the mid-1990s, with the posthumous publication of his semi-autobiographical and highly lyrical novel The First Man, which was received with great fanfare on both sides of the Atlantic. Many journalists and pundits in France also seized the opportunity to stress the Algerian writer's renewed "timeliness" and relevance as a political thinker: his passionate critique of, and opposition to, Communism seemed particularly à propos in the wake of the "fall of the wall" in 1989 and the demise of the Soviet Union. Indeed, with the decline and ultimate irrelevance of the French Communist Party, as well as the enormous success of the 1997 Black Book of Communism (which examined in horrific detail the crimes of Communist regimes worldwide), Camus seemed to have the last word in his debates with Communist or fellow-traveling critics from four decades earlier. But today's interest in Camus' life and work appears to
Comparative Literature – Duke University Press
Published: Jun 20, 2012
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.