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Byron is (Un)Dead: Mary Elizabeth Braddon's Sublation of Byron

Byron is (Un)Dead: Mary Elizabeth Braddon's Sublation of Byron B y r o n i s ( U n ) D e a d : M a r y E l i z a b e t h B r a d d o n ’ s S U B L A T I O N OF BYRON E m i l y A l l e n / D i n o F r a n c o F e l l u g a hose o f us w h o make o u r livin g on representation are q u ite fa m ilia r w ith the par­ adox o f a p ra ctice—call it death, narrative, portra iture , photography, a n th ro p o lo ­ g y —th a t sim u lta n e o u sly kills and preserves, kills to preserve. Rather than pause There to rehearse these w e ll-kn o w n argum ents, o r even to make the required theoretical stops at Roland Barthes's Camera Lucida or the w o rk o f M aurice Blanchot o r Jacques Der­ rida, to w h o m w e w ill return http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png English Language Notes Duke University Press

Byron is (Un)Dead: Mary Elizabeth Braddon's Sublation of Byron

English Language Notes , Volume 51 (1) – Mar 1, 2013

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Copyright
Copyright © 2013 Regents of the University of Colorado
ISSN
0013-8282
eISSN
2573-3575
DOI
10.1215/00138282-51.1.223
Publisher site
See Article on Publisher Site

Abstract

B y r o n i s ( U n ) D e a d : M a r y E l i z a b e t h B r a d d o n ’ s S U B L A T I O N OF BYRON E m i l y A l l e n / D i n o F r a n c o F e l l u g a hose o f us w h o make o u r livin g on representation are q u ite fa m ilia r w ith the par­ adox o f a p ra ctice—call it death, narrative, portra iture , photography, a n th ro p o lo ­ g y —th a t sim u lta n e o u sly kills and preserves, kills to preserve. Rather than pause There to rehearse these w e ll-kn o w n argum ents, o r even to make the required theoretical stops at Roland Barthes's Camera Lucida or the w o rk o f M aurice Blanchot o r Jacques Der­ rida, to w h o m w e w ill return

Journal

English Language NotesDuke University Press

Published: Mar 1, 2013

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