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B y r o n i s ( U n ) D e a d : M a r y E l i z a b e t h B r a d d o n ’ s S U B L A T I O N OF BYRON E m i l y A l l e n / D i n o F r a n c o F e l l u g a hose o f us w h o make o u r livin g on representation are q u ite fa m ilia r w ith the par adox o f a p ra ctice—call it death, narrative, portra iture , photography, a n th ro p o lo g y —th a t sim u lta n e o u sly kills and preserves, kills to preserve. Rather than pause There to rehearse these w e ll-kn o w n argum ents, o r even to make the required theoretical stops at Roland Barthes's Camera Lucida or the w o rk o f M aurice Blanchot o r Jacques Der rida, to w h o m w e w ill return
English Language Notes – Duke University Press
Published: Mar 1, 2013
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