Access the full text.
Sign up today, get DeepDyve free for 14 days.
Are Negro Composers Handicapped? When the editor of The Baton asked me the question that appears as the title of this article, I wondered idly whether he expected me to reply with a fervent denunciation of existing conditions, or to sob out a pitiful tale of frustration—in short, to startle readers with the sheer daring of my views. It is quite possible that he did not expect my answer to be "no." Frankly, I do not believe that any honors which have failed to come to me have done so because I am a colored man. Nor do I believe that leading symphony orchestras the world over play my music because I am a Negro. If one can believe the letters that have come from conductors and listeners, and the notices from critics, my music is played because it is liked; because it says something to those who hear it. There would be no point in playing it simply because I am colored. The day has passed when a colored man can do things that are "pretty good for a colored man" and be praised for them. Now he must take his place along with the finest in his
Black Sacred Music – Duke University Press
Published: Sep 1, 1992
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.