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This article examines the phenomenon in which musical lines establish what Edward T. Cone calls virtual agents , making the argument that listeners are more likely to ascribe such agency to lines that have high information content (in the formal, information-theoretic sense). I use a computational model, which I have proposed elsewhere, to estimate the information content a listener would perceive when listening to a piece of music. I then compare this model’s output to traditional musical analyses of several string-quartet expositions, demonstrating a qualitative correlation between the information content of these expositions and the virtual agents therein. Additionally, I assemble a larger corpus of expositions, many of which deploy virtual agents in a similar manner. Using formal statistical analysis, I show that these similarities can be traced back to the expositions’ information content. Thus, both qualitative and quantitative evidence suggest a connection between information and agency in music.
Journal of Music Theory – Duke University Press
Published: Mar 20, 2012
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