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J. Baudrillard (1981)
Simulacra and Simulation
D. Kiernan (2013)
The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
(2020)
Albert Einstein, Mileva Maric
M. Wyer, M. Barbercheck, D. Cookmeyer, H. Ozturk, M. Wayne (2013)
Women, Science, and Technology : A Reader in Feminist Science Studies
(2015)
and one year later she published a critical study of Angela Carter's oeuvre, Ways of Pleasure. Angela Carter's Discourse of Delight in her Fiction and Non-Fiction
One may perhaps argue that by 2012 the human race has placed its hope for survival on its science more than its military strength
Laura Schweitzer (2016)
The Making Of The Atomic Bomb
H. Rose (1994)
Love, power, and knowledge : towards a feminist transformation of the sciences
(2003)
Principles of American Nuclear Chemistry
E. Walker, J. Stachel (1989)
Did Einstein Espouse his Spouse's Ideas?Physics Today, 42
Senta Troemel-Ploetz (1990)
Mileva Einstein-MarićWomens Studies International Forum, 13
(2003)
Einstein's Wife. Oregon Public Broadcasting/Australian Broadcasting Corporation
Who did Einstein's Mathematics?: A Response to Troemel-Ploetz
Melissa Farley (2009)
Women ' s Studies International Forum
Baudrillard famously means: "the generation by models of a real without origin or reality: a hyperreal
A. Hodges (2014)
Alan Turing: The Enigma: The Book That Inspired the Film The Imitation Game - Updated Edition
Stuart Sim (2017)
The Difference MachineContemporary Continental Philosophy
(2013)
Astronaut Wives Club: A True Story
AbstractBy drawing on Jean Baudrillard’s cultural theory this paper aims to show how contemporary popular culture tells the stories of scientifically talented women of the past. In the course of my argument, I refer to books and films set in the past and focus on the women-and-science motif. Firstly, the stories of individual female scientists living long ago are analysed (Mileva Einstein, Joan Clarke), then, the collective female protagonists – wives of scientists living together in “togethervilles” (Los Alamos, Atomic City), and women scientists pictured in speculative fiction – are discussed. The cliches used in these texts – lonely forgotten geniuses, female worthies taken advantage of, ostracised women accused of not being feminine enough and devoted wives who help their men and their countries in World Wars I and II or the Cold War – reflect ideologies that Western culture used to believe in. Conversely, the two original presentations of past female scientists that I found both come from speculative fiction concerned with science and heavily influenced by the ideologies of science: science and pacifism, science and a sense of guilt, and science as a weapon in the quest for democracy and freedom.
Prague Journal of English Studies – de Gruyter
Published: Jul 1, 2020
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