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Political Cartooning Mocking Mussolini's Opposition: The Left Targeting Itself

Political Cartooning Mocking Mussolini's Opposition: The Left Targeting Itself Political Cartooning Mocking Mussolini's Opposition: The Left Targeting Itself The paper discusses the socialist/Leftist political humour during Mussolini's ascendance to power (1919-1925). I am especially concerned with the part of political satire that was drawn by the Left mocking the Left itself. This type of political satire has a specificity very challenging and interesting at the same time. It makes evident the limits of the fascist censor and draws the line between political satire and crude political propaganda. I will analyse political cartoons of the aforementioned period and Gramsci's theory of hegemony will shed light both to the reading of this humorous discourse and the left's political practices. The paper is divided into four sub-themes discussing the representation of socialism with the bourgeoisie, the Biennio Rosso, the Socialist fragmentation and the Aventino. The narrative across these major events reveals the counter-hegemonic project of the Left to the fascist ascendance together with their share of responsibility for the latter's power. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Lodz Papers in Pragmatics de Gruyter

Political Cartooning Mocking Mussolini's Opposition: The Left Targeting Itself

Lodz Papers in Pragmatics , Volume 6 (2) – Jan 1, 2010

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Publisher
de Gruyter
Copyright
Copyright © 2010 by the
ISSN
1895-6106
eISSN
1898-4436
DOI
10.2478/v10016-010-0018-6
Publisher site
See Article on Publisher Site

Abstract

Political Cartooning Mocking Mussolini's Opposition: The Left Targeting Itself The paper discusses the socialist/Leftist political humour during Mussolini's ascendance to power (1919-1925). I am especially concerned with the part of political satire that was drawn by the Left mocking the Left itself. This type of political satire has a specificity very challenging and interesting at the same time. It makes evident the limits of the fascist censor and draws the line between political satire and crude political propaganda. I will analyse political cartoons of the aforementioned period and Gramsci's theory of hegemony will shed light both to the reading of this humorous discourse and the left's political practices. The paper is divided into four sub-themes discussing the representation of socialism with the bourgeoisie, the Biennio Rosso, the Socialist fragmentation and the Aventino. The narrative across these major events reveals the counter-hegemonic project of the Left to the fascist ascendance together with their share of responsibility for the latter's power.

Journal

Lodz Papers in Pragmaticsde Gruyter

Published: Jan 1, 2010

There are no references for this article.