Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires AbstractThis paper intends to offer a first sketch of a pluralist account of contemporary phenomenologies “of” literature. It does so (1) by distinguishing two phenomenological “families” — hermeneutical phenomenology and constitutive phenomenology —, illustrated by two different authors — Ricœur and Husserl —, each of which relies on a distinctive account of the notion of “phenomenon”— qua hidden entity providing the ground for what shows itself first and foremost, and qua intended unity of a multiplicity of conscious experiences —; (2) by fleshing out the two conceptions of “imagination” — productive imagination and phantasia — these accounts of the “phenomenon” give rise to; and finally, (3) by underlining the way in which these two phenomenological accounts lead to alternative ways of apprehending the specific phenomenon of fictional imagination — narrative literary imagination vs. reproductive phantasia of the narrative work — thus specifying two relevant senses in which the tasks of a “phenomenology of literature” could be understood. Such a complex path should enable us to justify the following claim: while hermeneutical phenomenology “of” literature aims at uncovering literature itself as a form of phenomenology, a constitutive phenomenology “of” literature rather understands its task as a way to clarify the fundamental concepts of a whole host of theoretical and practical disciplines about literature. Hence the ambiguity of the genitive “phenomenology of literature”, which could be read either as ascribing phenomenology to literature itself (subjective genitive), or as turning phenomenology towards literature (objective genitive). In its conclusion, this paper will tentatively assess the resources of a Husserl-inspired constitutive phenomenology of literature. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Phainomenon de Gruyter

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires

Phainomenon , Volume 32 (1): 54 – Dec 1, 2021

Loading next page...
 
/lp/de-gruyter/ph-nom-nologies-de-la-litt-rature-ph-nom-ne-imagination-fictions-litt-fedFZNqI24

References (7)

Publisher
de Gruyter
Copyright
© 2021 Claudio Majolino et al., published by Sciendo
eISSN
2183-0142
DOI
10.2478/phainomenon-2021-0012
Publisher site
See Article on Publisher Site

Abstract

AbstractThis paper intends to offer a first sketch of a pluralist account of contemporary phenomenologies “of” literature. It does so (1) by distinguishing two phenomenological “families” — hermeneutical phenomenology and constitutive phenomenology —, illustrated by two different authors — Ricœur and Husserl —, each of which relies on a distinctive account of the notion of “phenomenon”— qua hidden entity providing the ground for what shows itself first and foremost, and qua intended unity of a multiplicity of conscious experiences —; (2) by fleshing out the two conceptions of “imagination” — productive imagination and phantasia — these accounts of the “phenomenon” give rise to; and finally, (3) by underlining the way in which these two phenomenological accounts lead to alternative ways of apprehending the specific phenomenon of fictional imagination — narrative literary imagination vs. reproductive phantasia of the narrative work — thus specifying two relevant senses in which the tasks of a “phenomenology of literature” could be understood. Such a complex path should enable us to justify the following claim: while hermeneutical phenomenology “of” literature aims at uncovering literature itself as a form of phenomenology, a constitutive phenomenology “of” literature rather understands its task as a way to clarify the fundamental concepts of a whole host of theoretical and practical disciplines about literature. Hence the ambiguity of the genitive “phenomenology of literature”, which could be read either as ascribing phenomenology to literature itself (subjective genitive), or as turning phenomenology towards literature (objective genitive). In its conclusion, this paper will tentatively assess the resources of a Husserl-inspired constitutive phenomenology of literature.

Journal

Phainomenonde Gruyter

Published: Dec 1, 2021

Keywords: phenomenology; literature; imagination; Husserl; Ricœur

There are no references for this article.