Access the full text.
Sign up today, get DeepDyve free for 14 days.
AbstractAs one component of cultural memory, museums have the potential to co-form the remembrance of an entire society. They try to minimise the experience deficiency of their visitors and help them further to know and understand history in an interesting and vivid way. The present paper will show how and to what extent important museums in Japan, Germany and Austria try to shape the historical consciousness of their visitors. With the Yūshūkan in Tōkyō, the Heiwa Kinen Shiryōkan in Hiroshima, the Deutsches Historisches Museum in Berlin and the Heeresgeschichtliches Museum in Vienna, four representative institutions will be taken as indicators of the national efforts to re-appraise the history of World War II. Analyses of the different exhibitions, together with an international comparison, will document the individual position of each museum as well as its political intention. In addition, legal and cultural backgrounds that can lead to a country-specific, ideologically biased museum-based depiction of World War II will also be taken into consideration.
Vienna Journal of East Asian Studies – de Gruyter
Published: Mar 1, 2012
Keywords: World War II; Axis powers; culture of remembrance; museums
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.