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Brittney Moraski (2009)
The Missing Sequel: Sylvia Plath and PsychiatryPlath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies, 2
S. Plath (1960)
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S. Axelrod (1985)
The Mirror and the Shadow: Plath's Poetics of Self-DoubtContemporary Literature, 26
J. Gill (2008)
The Cambridge Introduction to Sylvia Plath: Abbreviations and textual note
J. Gill (2006)
‘Your story. My story’: Confessional writing and the case ofBirthday Letters
G. Swiontkowski (2003)
Imagining Incest: Sexton, Plath, Rich, and Olds on Life With Daddy
K. Subagyo (2015)
CONFRONTED PATRIARCHY IN SYLVIA PLATH'S POEMSTEFLIN Journal, 20
C. Jung (1934)
Modern Man in Search of a SoulNature, 132
M. Sharif (2006)
Ambivalence: The Divided Self in Sylvia Plath's PoetryIiuc Studies, 3
Mary Wollstonecraft (1993)
A Vindication of the Rights of Men; A Vindication of the Rights of Woman; An Historical and Moral View of the French Revolution
Anna Scheyett (1988)
Marriage Is the Best Defense: Policy on Marital RapeAffilia, 3
L. Sanazaro (1983)
The Transfiguring Self: Sylvia Plath. A Reconsideration, 27
Nidhi Mehta (2010)
Similarities and Dissimilarities in the Poetry of Kamala Das and Sylvia PlathPlath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies, 3
Meryl Altman (2010)
The Grand Rectification: Review of The Second Sex by Simone de Beauvoir, translated by Constance Borde and Sheila Malovany-Chevallier.
S. Schwartz (2011)
Sylvia Plath: A Split in the MirrorPlath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies, 4
Annie Waite (1974)
A Developmental Study of the Art of Sylvia Plath
S. Plath, Karen Kukil (2000)
The unabridged journals of Sylvia Plath, 1950-1962
Anna Jackson (2020)
Sylvia PlathDiary Poetics
A. Álvarez (1972)
The savage god : a study of suicide
AbstractThis article discusses marital suffering, as portrayed by Sylvia Plath from a feminist viewpoint, and claims that her delineation of marital afflictions is a tool of protest against patriarchal oppression. In a convention-ridden patriarchal society, a woman usually cannot express her voice and remains suffocated by her personal agony and ache. However, Plath tries to break the conventions in her poetry, by representing the unjust institution of patriarchal marriage, which treats women as commodities. Many critics have noted that Plath’s marital sufferings are responsible for her suicidal death, which is a means of protest against, and resistance to, patriarchy. Since her poetry represents both her psycho-social suffering and her fight against the margins set by patriarchal society, one may consider her poetry to be a weapon of setting her “self,” as well as other women’s, free from male-dominated psychological imprisonment. The article explores how Plath’s poetic persona emerges as the Phoenix, the libertarian spirit, by deliberately exposing her marital sufferings, psycho-sexual torture, husband’s infidelity, and the ultimate death resulting from conjugal unhappiness, which is interpreted as a protest against all kinds of patriarchal discriminations.
American, British and Canadian Studies Journal – de Gruyter
Published: Jun 1, 2020
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