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References (5)
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P. Yu (1988)
The reading of imagery in the Chinese poetic traditionThe Journal of Asian Studies, 47
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S. Branca-Rosoff (1999)
La métaphore entre philosophie et rhétorique, Nanine Charbonnel et Georges Kleiber, 89
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Chinese poetry : major modes and genresThe Journal of Asian Studies, 37
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P. Schulz (2000)
Description critique du concept traditionnel de "métaphore" -
W. Kubin, K. Pohl (2006)
Ästhetik und Literaturtheorie in China : von der Tradition bis zur Moderne
- Publisher
- de Gruyter
- Copyright
- © 2011 Vesna Milanović, published by Sciendo
- ISSN
- 2521-7038
- eISSN
- 2521-7038
- DOI
- 10.2478/vjeas-2011-0002
- Publisher site
- See Article on Publisher Site
Abstract
AbstractAs an attempt to compare Lǐ Hè, a Chinese poet from the Táng Dynasty, and the French 19th century poet Arthur Rimbaud (in spite of a total lack of any traceable historical, cultural and inter-textual connections), this paper focuses on linguistic and stylistic phenomena serving as a proof for a striking resemblance between the two authors. Thus the first part of the article deals with effects of focalization, a specific conception of the metaphor as well as the status of the lyrical subject, establishing a theoretical basis for the concrete comparison presented in the second part. The conclusion is concerned with the question if the poems of Lǐ Hè can be translated into French by ‛adopting‟ Rimbaud‟s poetic language.
Journal
Vienna Journal of East Asian Studies – de Gruyter
Published: Mar 1, 2011