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AbstractThis article analyses the discourse around Shimao Toshio’s concept of Yaponeshia, which addresses Okinawa’s relationship to mainland Japan. This concept, first outlined in Shimao’s essay “Yaponeshia no nekko” (The Roots of Yaponeshia) (1961), provides a whole new perspective from which this relationship can be viewed. To gain an understanding of the discourse which subsequently has evolved among Japanese scholars and critics, journal articles published between 1970 and 2017 will be analysed using Siegfried Jäger’s method of critical discourse analysis. The analysis will show that Shimao’s Yaponeshia idea has been (re-)interpreted by many academics and critics who expanded it with their own theories. The discourse about the “southern islands” (nantō) and the “reversion” of Okinawa to Japan play a major role in how Okinawa, as shown in the Yaponeshia concept, is portrayed: on the one hand, the culture of Okinawa is seen as a previous stage of the culture of mainland Japan; on the other hand, however, the culture of Okinawa is described as being different from that of Japan and as something that has to be protected from being assimilated by the main islands. By addressing different perspectives on Okinawan culture, over the past decades the Yaponeshia concept has slowly developed into a kind of cultural theory that also finds its way into other academic fields.
Vienna Journal of East Asian Studies – de Gruyter
Published: Dec 1, 2021
Keywords: Okinawa; Japan; identity; culture; Yaponeshia; Shimao Toshio
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