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Expressional Bipolarity of Theatre

Expressional Bipolarity of Theatre AbstractThe author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Slovenske divadlo /The Slovak Theatre de Gruyter

Expressional Bipolarity of Theatre

Slovenske divadlo /The Slovak Theatre , Volume 66 (3): 11 – Sep 1, 2018

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Publisher
de Gruyter
Copyright
© 2018 Miroslav Ballay, published by Sciendo
eISSN
1336-8605
DOI
10.2478/sd-2018-0014
Publisher site
See Article on Publisher Site

Abstract

AbstractThe author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators.

Journal

Slovenske divadlo /The Slovak Theatrede Gruyter

Published: Sep 1, 2018

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