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B. Waxman (1994)
Dancing Out of Form, Dancing into Self: Genre and Metaphor in Marshall, Shange, and WalkerMelus: Multi-ethnic Literature of The U.s., 19
Ntozake Shange (1997)
For colored girls who have considered suicide when the rainbow is enuf : a choreopoem
Sandra Richards (1983)
Conflicting Impulses in the Plays of Ntozake Shange, 17
Dalia El-Shayal (2003)
Nonverbal Theatrical Elements in Ntozake Shange's for colored girls . . . and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow)Comparative Drama, 37
Thomas Macdonagh (2009)
Songs of Myself
Abstract By sharing the experiences of women and the black community of her time, represented as a journey towards womanhood on stage, Afro- American playwright Ntozake Shange deconstructs the patriarchal structure of language, by pushing the boundaries of genres as she assembles prose, poetry and stage performance in a “choreopoem” capable of empowering and liberating the trajectories of the represented black women. The present study explores the semiotic and linguistic deconstructions of the patriarchal ideology in for colored girls who have considered suicide/ when the rainbow is enuf, aiming at a discussion of the author’s experimentalism with language outside instituted discursive paradigms regarding women. Considering that the concept of the liberation of the individual is strongly historicized in the play, the characters of the seven ladies are focalized as being tightly related to the feminist movement in North America in the seventies. Furthermore, the implications of ideological impositions and limited roles for women in society are analyzed.
American, British and Canadian Studies Journal – de Gruyter
Published: Dec 1, 2015
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