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Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of Shakespeare

Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of... 1 This expression was used in the publicity material for the performances.Works CitedBeauty and Consolation. Episode 1. VPRO NL. 5th May, 2011. https://www.youtube.com/watch?v=HPK3Mv6_Aps. Last accessed 22/7/2016.Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London & New York: Verso, 2012.Eglinton, Andrew. “Reflections on a Decade of Punchdrunk Theatre.” TheatreForum 37 2010): 46-55.Gordon, Colette. “Pedestrian Shakespeare and Punchdrunk’s Immersive Theatre.” Cahiers Elisabethains 82 (2012): 43-50.Graça Moura, Vasco. Sonetos de Shakespeare. Lisboa: Bertrand, 2011.Grob, Thomas. “’One Cannot Act Hamlet, One Must be Hamlet’: The Acculturation of Hamlet in Russia.” Shakespeare and Space: Theatrical Explorations of the Spatial Paradigm. Eds. Ina Habermann and Michelle Witen. Basingstoke, Hants. and New York: Palgrave Macmillan, 2016. 191-228.Henderson, Diana. Collaborations with the Past: Reshaping Shakespeare across Time and Media. Ithaca and London: Cornell University Press, 2006.Kennedy, Dennis. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. Cambridge: Cambridge University Press, 2009.McLuskie, Kate and Kate Rumbold. Cultural Value in Twenty-first Century England: the Case of Shakespeare. Manchester: Manchester University Press, 2014.Rancière, Jacques. Le Spectateur Emancipé. Paris: La Fabrique, 2008.Rodrigues, Tiago. By Heart e Outras Peças Curtas. Coimbra: Imprensa da Universidade de Coimbra, 2016.Shakespeare’s Sonnets. Ed. Stanley Wells. Oxford and New York: Oxford University Press.Shakespeare, William. The Tragedy of King Lear. Ed. Jay Halio. Cambridge: Cambridge University Press, 2005.Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. California: University of California Press, 1992.Tusk, Donald. Letter by President Donald Tusk to the Members of the European Council on his proposal for a new settlement for the United Kingdom within the European Union. Council of the European Union. 20th February 2016. http://www.consilium.europa.eu/en/press/press-releases/2016/02/02-letter-tusk-proposal-new-settlement-uk/ Last accessed 20/11/2016.Villas Boas, Fernando. William Shakespeare: Rei Lear. Porto: TNSJ/Edições Húmus, 2016. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Multicultural Shakespeare de Gruyter

Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of Shakespeare

Rayner, Francesca
Multicultural Shakespeare , Volume 15 (1): 15 – Sep 1, 2017
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References (23)

Publisher
de Gruyter
Copyright
© 2017 Francesca Rayner, published by De Gruyter Open
ISSN
2083-8530
eISSN
2300-7605
DOI
10.1515/mstap-2017-0003
Publisher site
See Article on Publisher Site

Abstract

1 This expression was used in the publicity material for the performances.Works CitedBeauty and Consolation. Episode 1. VPRO NL. 5th May, 2011. https://www.youtube.com/watch?v=HPK3Mv6_Aps. Last accessed 22/7/2016.Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London & New York: Verso, 2012.Eglinton, Andrew. “Reflections on a Decade of Punchdrunk Theatre.” TheatreForum 37 2010): 46-55.Gordon, Colette. “Pedestrian Shakespeare and Punchdrunk’s Immersive Theatre.” Cahiers Elisabethains 82 (2012): 43-50.Graça Moura, Vasco. Sonetos de Shakespeare. Lisboa: Bertrand, 2011.Grob, Thomas. “’One Cannot Act Hamlet, One Must be Hamlet’: The Acculturation of Hamlet in Russia.” Shakespeare and Space: Theatrical Explorations of the Spatial Paradigm. Eds. Ina Habermann and Michelle Witen. Basingstoke, Hants. and New York: Palgrave Macmillan, 2016. 191-228.Henderson, Diana. Collaborations with the Past: Reshaping Shakespeare across Time and Media. Ithaca and London: Cornell University Press, 2006.Kennedy, Dennis. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. Cambridge: Cambridge University Press, 2009.McLuskie, Kate and Kate Rumbold. Cultural Value in Twenty-first Century England: the Case of Shakespeare. Manchester: Manchester University Press, 2014.Rancière, Jacques. Le Spectateur Emancipé. Paris: La Fabrique, 2008.Rodrigues, Tiago. By Heart e Outras Peças Curtas. Coimbra: Imprensa da Universidade de Coimbra, 2016.Shakespeare’s Sonnets. Ed. Stanley Wells. Oxford and New York: Oxford University Press.Shakespeare, William. The Tragedy of King Lear. Ed. Jay Halio. Cambridge: Cambridge University Press, 2005.Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. California: University of California Press, 1992.Tusk, Donald. Letter by President Donald Tusk to the Members of the European Council on his proposal for a new settlement for the United Kingdom within the European Union. Council of the European Union. 20th February 2016. http://www.consilium.europa.eu/en/press/press-releases/2016/02/02-letter-tusk-proposal-new-settlement-uk/ Last accessed 20/11/2016.Villas Boas, Fernando. William Shakespeare: Rei Lear. Porto: TNSJ/Edições Húmus, 2016.

Journal

Multicultural Shakespeare – de Gruyter

Published: Sep 1, 2017

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