Access the full text.
Sign up today, get DeepDyve free for 14 days.
AbstractDuring the national revival between the nineteenth and the early twentieth centuries, medieval texts, including the matter of Arthur, became available to audiences both in the form of new editions and creative adaptations. Among the latter, the operas of Richard Wagner, inspired by medieval and, in particular, Arthurian motifs, were influential far beyond Germany. One of the authors who drew inspiration from Wagner’s work was T. W. Rolleston, an Irishman who is better known nowadays for his political works, but who also wrote works inspired by medieval matter, both Celtic and Arthurian. The present article discusses a poem of T. W. Rolleston, Parsifal or the Legend of the Holy Grail, which was published for the first time in 1912, in a luxurious edition illustrated by Willy Pogány. The aim of the article is to examine the interaction between carnality and spirituality in the version of salvation through the Holy Grail created by Rolleston and Pogány, while highlighting the impact of three Rolleston’s sources, Richard Wagner’s opera Parsifal, Wolfram von Eschenbach’s romance Parzival and Chrétien de Troyes’s Perceval.
Journal of the International Arthurian Society – de Gruyter
Published: Dec 1, 2017
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.