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“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy

“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy Abstract This article attends to the musical afterlife of the late Bishop Gilbert Earl Patterson, a Pentecostal minister who, at the time of his death, served as presiding bishop of the largest African American Pentecostal denomination, the Church of God in Christ. In it, I theorize the nexus of faith, media, and sound that lifted Bishop Patterson to the heights of ecclesial power during his lifetime, while laying the groundwork for a pervasive posthumous presence: broadcast religion. Placing Patterson's life-long preoccupation with various modes of technical mediation in conversation with his extremely musical approach to preaching, I will show that Bishop Patterson's technophilic Pentecostalism takes an enchanted view of devices like microphones, radios, televisions, and cameras, understanding each as a channel through which spiritual power can flow. As Patterson's voice and broadcasting infrastructure produce intimacy with countless scriptural scenes, they commingle mediation and immediacy, cultivating an enduring affect that I refer to as afterliveness. Transcending any single homiletic event, afterliveness depends on sermonic sound reproduction, effected by Patterson through both the practice of recording and through ecstatic acts of musical repetition, a set of recurring musical procedures that endow the bishop's ministry with an eternal pitch. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the Society for American Music Cambridge University Press

“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy

Shelley, Braxton
Journal of the Society for American Music , Volume 16 (2): 22 – May 1, 2022
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References (36)

Publisher
Cambridge University Press
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music
ISSN
1752-1971
eISSN
1752-1963
DOI
10.1017/S1752196322000098
Publisher site
See Article on Publisher Site

Abstract

Abstract This article attends to the musical afterlife of the late Bishop Gilbert Earl Patterson, a Pentecostal minister who, at the time of his death, served as presiding bishop of the largest African American Pentecostal denomination, the Church of God in Christ. In it, I theorize the nexus of faith, media, and sound that lifted Bishop Patterson to the heights of ecclesial power during his lifetime, while laying the groundwork for a pervasive posthumous presence: broadcast religion. Placing Patterson's life-long preoccupation with various modes of technical mediation in conversation with his extremely musical approach to preaching, I will show that Bishop Patterson's technophilic Pentecostalism takes an enchanted view of devices like microphones, radios, televisions, and cameras, understanding each as a channel through which spiritual power can flow. As Patterson's voice and broadcasting infrastructure produce intimacy with countless scriptural scenes, they commingle mediation and immediacy, cultivating an enduring affect that I refer to as afterliveness. Transcending any single homiletic event, afterliveness depends on sermonic sound reproduction, effected by Patterson through both the practice of recording and through ecstatic acts of musical repetition, a set of recurring musical procedures that endow the bishop's ministry with an eternal pitch.

Journal

Journal of the Society for American Music – Cambridge University Press

Published: May 1, 2022

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