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Picturing Miracles: Biblical Healings in the Paintings by Pieter Aertsen and Joachim Beuckelaer

Picturing Miracles: Biblical Healings in the Paintings by Pieter Aertsen and Joachim Beuckelaer In this essay, I analyze three sixteenth-century Netherlandish paintings of New Testament miraculous healings in the context of the contemporary understanding of miracles and approaches to disability. I argue that, in contrast to the negative perception of the infirm in the early modern literature, the images promote care for the sick as a Christian duty. Given the complicated theological status of miracles ca. 1600, scriptural healings begin to function primarily as exempla of mercy rather than as promises of supernatural intervention. In the discussed compositions, biblical stories become a model for sixteenth-century viewers through the rhetorical use of architectural backdrops, which replicate a strategy employed in the vernacular theatre and urban festivals. Finally, I show that this connection between miraculous healings and mercy is also established in the iconography of visiting the sick, in which broadly defined medical care is introduced as a manifestation of charity. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Explorations in Renaissance Culture Brill

Picturing Miracles: Biblical Healings in the Paintings by Pieter Aertsen and Joachim Beuckelaer

Explorations in Renaissance Culture , Volume 45 (2): 31 – Nov 7, 2019

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References (22)

Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0098-2474
eISSN
2352-6963
DOI
10.1163/23526963-04502003
Publisher site
See Article on Publisher Site

Abstract

In this essay, I analyze three sixteenth-century Netherlandish paintings of New Testament miraculous healings in the context of the contemporary understanding of miracles and approaches to disability. I argue that, in contrast to the negative perception of the infirm in the early modern literature, the images promote care for the sick as a Christian duty. Given the complicated theological status of miracles ca. 1600, scriptural healings begin to function primarily as exempla of mercy rather than as promises of supernatural intervention. In the discussed compositions, biblical stories become a model for sixteenth-century viewers through the rhetorical use of architectural backdrops, which replicate a strategy employed in the vernacular theatre and urban festivals. Finally, I show that this connection between miraculous healings and mercy is also established in the iconography of visiting the sick, in which broadly defined medical care is introduced as a manifestation of charity.

Journal

Explorations in Renaissance CultureBrill

Published: Nov 7, 2019

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