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Phantoms and Figments

Phantoms and Figments AbstractThis paper explores the parallels that can be observed between the Portuguese poet Fernando Pessoa (1888–1935) and the English artist Austin Osman Spare (1886–1956). Although having quite different artistic backgrounds, they both arrived at complex spiritual theories and artistic production techniques associated with personality fragmentation and the emotional or intellectual exploration of alternative selves. While Pessoa and Spare are often regarded as exceptional artists and spiritual thinkers within their own environments, these similarities suggest a common familiarity with overarching themes and ideas expanding beyond their own restricted circles. Consequently, the purpose of this study is to question the exact nature of said esoteric and artistic exceptionality in light of the intellectual and artistic groups and movements surrounding them and propose a framework for the study of the overlap of occult and artistic circles in the late-nineteenth and early twentieth-centuries. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Aries Brill

Phantoms and Figments

Aries , Volume 21 (2): 21 – May 25, 2021

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1567-9896
eISSN
1570-0593
DOI
10.1163/15700593-20211001
Publisher site
See Article on Publisher Site

Abstract

AbstractThis paper explores the parallels that can be observed between the Portuguese poet Fernando Pessoa (1888–1935) and the English artist Austin Osman Spare (1886–1956). Although having quite different artistic backgrounds, they both arrived at complex spiritual theories and artistic production techniques associated with personality fragmentation and the emotional or intellectual exploration of alternative selves. While Pessoa and Spare are often regarded as exceptional artists and spiritual thinkers within their own environments, these similarities suggest a common familiarity with overarching themes and ideas expanding beyond their own restricted circles. Consequently, the purpose of this study is to question the exact nature of said esoteric and artistic exceptionality in light of the intellectual and artistic groups and movements surrounding them and propose a framework for the study of the overlap of occult and artistic circles in the late-nineteenth and early twentieth-centuries.

Journal

AriesBrill

Published: May 25, 2021

There are no references for this article.