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Journal of American-East Asian Relations 18 (2011) 213–214 © Koninklijke Brill NV, Leiden, 2011 DOI 10.1163/187656111X603690 brill.nl/jaer Notes on Contributors Ramona Curry is Associate Professor in English, Media and Cinema Studies, and Gender and Women Studies at the University of Illinois at Urbana- Champaign. Her research focuses on the transnational socio-historical impact of media institutions, including fi lm stars and networks of cinema distribu- tion and exhibition historically in the United States, Germany, and around the Pacifi c Rim. She is author of numerous articles published in American and international journals and essay collections and a book, Too Much of a Good Th ing: Mae West as Cultural Icon (University of Minnesota Press, 1996). Pro fes sor Curry is currently completing a monograph entitled “Trading in Cultural Spaces: How Chinese Film Came to America,” which takes an urban cultural geographic and historiographic approach to rewriting American cin- ema history “from the margins.” Iguchi Takeo was born in Shanghai in 1930, graduated from the University of Tokyo Faculty of Law in 1953, and earned an M.A. in Philosophy, Politics, and Economics at St. John’s College, Oxford, in 1956. After joining Japan’s Ministry of Foreign Aff airs in 1953, he
Journal of American-East Asian Relations – Brill
Published: Jan 1, 2011
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