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NOTES ON CONTRIBUTORS

NOTES ON CONTRIBUTORS NOTlES ON CONTRJrBUTORS SUSAN BROOMHALL is an Australian Research Council Fellow in the School of Humanities at The University ofWestern Australia. Her research publications concern women's writings and experiences in sixteenth-century France. She has published Women and the Book Trade in Sixteenth-Century France (Ashgate, 2002) and is currently completing In Sickness and In Health: Womens Medical Work in France, 1450-1630, as weIl as working on modern editions of selected texts by French women writers. LIANA DE GIROLAMI CHENEY is Professor of Art History and Chairperson for the Department of Cultural Studies at the University of Massachusetts LoweH. Along with numerous articles, she has authored Neoplatonism and the Arts (Meilen, 2002), Self-Portraits by Women Painters (Ashgate, 2000), Essays in Italian Mannerism (Peter Lang, 1996), BotticelliS Neoplatonic Images (Scripta Humanistica, 1993), The Symbols o[Vanitas in the Arts, Literature and Music (Meilen, 1993), Medievalism and Pre-Raphaelitism (MeIlen, 1993), The Paintings o[the Casa Vasari (Garland, 1985), Quattrocento Neoplatonism andMedici Humanism in Botticellis Mythological Paintings (UP of America, 1985), Essays on Women Artists: "The Most Excellent Women Artists" (2 vols. MeIlen, 2003), and Giorgio Vasari: The Painter o[the "Lives" (MeIlen, forthcoming). STEPHEN Guy-BRAY is assistant professor ofEnglish at the University ofBritish Columbia. He is the author of Homoerotic Space: The Poetic$ o[ Loss in Renaissance Literature (University ofTorollto P, 2002) and of articles and book chapters, primarily on Renaissance poetry. SUSAN LAUFFER O'HARA is an assistant professor at Holy Family University in Philadelphia, where she teaches writing and Renaissance literature. This article is part of a book-Iength project entitled Unmasking Conventions: Mary Wroth's Pamphilia to Amphilanthus in Context, which places Mary Wroth's sonnet sequence within the context of its period by positioning her work with and against Sidney's Astrophil and Stella, Spenser's Faerie Queene, and ]onson's Hymenaei. ]UDITH OWENS teaches English at the University of Manitoba, specializing in literature of the sixteenth and seventeenth centuries. She is the author of Enabling Engagements: Edmund Spenser and the Poetics o[Patronage (McGillQueen's UP, 2002). http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Explorations in Renaissance Culture Brill

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Publisher
Brill
Copyright
© Copyright 2003 by Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0098-2474
eISSN
2352-6963
DOI
10.1163/23526963-90000261
Publisher site
See Article on Publisher Site

Abstract

NOTlES ON CONTRJrBUTORS SUSAN BROOMHALL is an Australian Research Council Fellow in the School of Humanities at The University ofWestern Australia. Her research publications concern women's writings and experiences in sixteenth-century France. She has published Women and the Book Trade in Sixteenth-Century France (Ashgate, 2002) and is currently completing In Sickness and In Health: Womens Medical Work in France, 1450-1630, as weIl as working on modern editions of selected texts by French women writers. LIANA DE GIROLAMI CHENEY is Professor of Art History and Chairperson for the Department of Cultural Studies at the University of Massachusetts LoweH. Along with numerous articles, she has authored Neoplatonism and the Arts (Meilen, 2002), Self-Portraits by Women Painters (Ashgate, 2000), Essays in Italian Mannerism (Peter Lang, 1996), BotticelliS Neoplatonic Images (Scripta Humanistica, 1993), The Symbols o[Vanitas in the Arts, Literature and Music (Meilen, 1993), Medievalism and Pre-Raphaelitism (MeIlen, 1993), The Paintings o[the Casa Vasari (Garland, 1985), Quattrocento Neoplatonism andMedici Humanism in Botticellis Mythological Paintings (UP of America, 1985), Essays on Women Artists: "The Most Excellent Women Artists" (2 vols. MeIlen, 2003), and Giorgio Vasari: The Painter o[the "Lives" (MeIlen, forthcoming). STEPHEN Guy-BRAY is assistant professor ofEnglish at the University ofBritish Columbia. He is the author of Homoerotic Space: The Poetic$ o[ Loss in Renaissance Literature (University ofTorollto P, 2002) and of articles and book chapters, primarily on Renaissance poetry. SUSAN LAUFFER O'HARA is an assistant professor at Holy Family University in Philadelphia, where she teaches writing and Renaissance literature. This article is part of a book-Iength project entitled Unmasking Conventions: Mary Wroth's Pamphilia to Amphilanthus in Context, which places Mary Wroth's sonnet sequence within the context of its period by positioning her work with and against Sidney's Astrophil and Stella, Spenser's Faerie Queene, and ]onson's Hymenaei. ]UDITH OWENS teaches English at the University of Manitoba, specializing in literature of the sixteenth and seventeenth centuries. She is the author of Enabling Engagements: Edmund Spenser and the Poetics o[Patronage (McGillQueen's UP, 2002).

Journal

Explorations in Renaissance CultureBrill

Published: Dec 2, 2003

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