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Instead of a Novel: Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature

Instead of a Novel: Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature This article focuses on the life and literary strategies of Sophia Yablonska (1907–1971), a self-identified Ukrainian camerawoman, photographer, and writer. While working for a French documentary production company, traveling around the world, and living in Morocco and China, Yablonska published three books of travelogues supported by hundreds of photos (The Charm of Morocco, 1932; From the Country of Rice and Opium, 1936; and Distant Horizons, 1939) that combine autobiographical and anthropological approaches and transgress poetic and narrative conventions. In her travelogues, Yablonska examines the contradictions between traditional and modern culture and expresses them in verbal and visual forms. Abandoning the genre of the novel for that of the travelogue, Sophia Yablonska transgressed literary and life norms in terms of genre, gender, anthropology, autobiography, perception, media, culture, and discourse. Her writings not only reveal other countries, but also show the formation of a modern personality in the process of writing. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Aspasia Berghahn Books

Instead of a Novel: Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature

Aspasia , Volume 14 (1) – Mar 1, 2020

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Publisher
Berghahn Books
Copyright
© 2022 Berghahn Books
ISSN
1933-2882
eISSN
1933-2890
DOI
10.3167/asp.2020.140107
Publisher site
See Article on Publisher Site

Abstract

This article focuses on the life and literary strategies of Sophia Yablonska (1907–1971), a self-identified Ukrainian camerawoman, photographer, and writer. While working for a French documentary production company, traveling around the world, and living in Morocco and China, Yablonska published three books of travelogues supported by hundreds of photos (The Charm of Morocco, 1932; From the Country of Rice and Opium, 1936; and Distant Horizons, 1939) that combine autobiographical and anthropological approaches and transgress poetic and narrative conventions. In her travelogues, Yablonska examines the contradictions between traditional and modern culture and expresses them in verbal and visual forms. Abandoning the genre of the novel for that of the travelogue, Sophia Yablonska transgressed literary and life norms in terms of genre, gender, anthropology, autobiography, perception, media, culture, and discourse. Her writings not only reveal other countries, but also show the formation of a modern personality in the process of writing.

Journal

AspasiaBerghahn Books

Published: Mar 1, 2020

Keywords: anthropological writing; autobiography; travelogue; transgression; Ukrainian literature; women's prose; Sophia Yablonska

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