1 - 10 of 25 articles
The cover image is based on the Research Article Analysis of compatibility of dyes in mixtures by means of non‐negative matrix factorization by Fatemeh Charmi and Seyed Hossein Amirshahi https://doi.org/10.1002/col.22660.
In this work, the validity of a chosen color appearance model, CIECAM02 is examined for perceived lightness and brightness of fluorescent samples against some near achromatic backgrounds. To this end, the visual assessment technique and the paired comparison method have been conducted and the...
The objectives of this study were two‐fold; to determine how variations in practical illuminance range (from ~300 to ~2300 lx) affect the perception of suprathreshold small color differences for a range of object stimuli across the color space, and to investigate the role of variations in...
A visual art technique first described in an early issue of CR&A is discussed here in the way it has been modified to expand its practicality. As a first‐of‐its‐kind application of additive color mixture in the two‐dimensional visual arts, the fluorescent mosaic technique is considered in terms...
The trichromatic principles of additive and subtractive color mixture have been the foundation of the color reproduction technologies for about 130 years. Yet, today, they remain a poorly understood phenomenon in much of the fine art world as well as the general public. Part of the problem stems...
Tager showed that works of art rarely contained the color violet until the Impressionists in the mid‐19th century. This article further investigates the prevalence of different colors in paintings. We analyzed 4117 Western and Eastern paintings, extending Tager's previous research. Combining...
This work seeks to explore the silk‐shaped Chinese color lexicon from the Bronze Age to the present, drawing upon a new materialism perspective that recognizes the force of matter and challenges the privileged position of humans in the historical progress. Rejecting the dichotomy of material and...
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